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Teklords
Tags: Fantasy, Hal Salive, Science Fiction
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; u.c. in pencil: As I pass the border, how can I forbear from turning back my head, Hsu Lan [jottings throughout].
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; l.c. in pencil: To be hung like this.
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; inscribed throughout.
Te Whiti: The seagulls cry mournfully over Tapu-te-Rangi.
Lower right (l.r.) in ink: Hotere ’72; l.c. in ink: The seagulls cry mournfully over Tapu-te-Rangi from John White vol III p. 50; through image in ink: Te Karoro tangi tararau i runga o tapu te rangi; verso in ink: John White vol III p. 50 Te…
Te Whiti falling off a horse.
Lower left (l.l.) in ink: Te Whiti falling off a horse; l.r. in fibre tipped pen: For Maureen RH 72.
Te tangi o te pipiwharauroa.
Verso (as part of work): Te Tangi o te/pipiwharauroa/tuia tui/tahia tahia/kotahi te manu/i tau ki te tahuna/tau atu tau atu tau atu.
Tags: Image, Nineteen seventies, Still Image, Works of Art
Te tangi o te pipiwhararua. (The song of the shining cuckoo) from a poem by Tangirau Hotere.
This is one of McCahon's major works of the mid-1970s, along with the Urewera Mural, the Blind series, and the Parihaka Triptych. It has several motivations and triggers. The primary one is the shining cuckoo's song, spoken of in a Maori poem passed…
Tags: Beaches, Christian art and symbolism, Death in art, Folklore, Image, Legends, Maori, Maori (New Zealand people), Maori language, Muriwai Beach (N.Z.), Mythology, Numbers in art, Oil paintings, Paintings, Pictorial works, Pūrākau, Spirits, Stations of the Cross in art, Still Image, Symbolism in art, Wairua, Works of Art
Te Rori on Waipa.
Margin below image in iron gall ink: Te Rori; margin below image in pencil: on Waikato [crossed out] Waipa; margin below image in iron gall ink: [page of Diary]; margin left of image in iron gall ink: [page of Diary]; l.r. in pencil: 61; u.l. in…
Te Rauparaha. June 1845.
Lower left (l.l.) in pencil: E Abbot del.t, June 1845; superimposed in ink: E Abbott June 1845; l.c. in ink superimposed over pencil: Te Rauparaha
Te Awamutu from Pignet Hill.
Margin below image in iron gall ink: Te Awamutu from Pignet Hill. [page of Diary]; margin left of image in iron gall ink: [page of Diary]; l.r. in pencil: 57; u.l. in pencil: 3; watermark: A. Cowan & Sons 1858.
Tauranga.
Lower left (l.l.) in pencil: Tauranga 18 Oct 65; verso in pencil: 109; on sketchbook mount: Waterfall near Tauranga. October 1865. Rotorua or Rotomahana Lake - Boiling Springs - Upper Waikato NZ (Copy)
Taupiri, looking down the River Waikato.
Lower centre (l.c.) in pencil: Taupiri, looking down the River Waikato; margin below image in iron gall ink: [page of Diary]; margin left of image in iron gall ink: [page of Diary]; chop (blindprint): Superfine; l.r. in pencil: 37.
Taupiri from the coal mines.
Lower centre (l.c.) in pencil: Taupiri, from the coal mines; margin below image in iron gall ink: [page of Diary]; margin left of image in iron gall ink: [page of Diary]; chop (blindprint): Superfine; l.r. in pencil: 33.
Tasman Landscape 2.
Verso in pencil (Charles Brasch’s hand): Tasman landscape.
Tasman Landscape 1.
Label: Tasman landscape 8 gns. 1107 Woollaston. 41 [crossed out] 36
Tasman Bay.
Lower right (l.r.) in ink: Woollaston ’61; on tag verso in fountain pen: 114 Tasman Bay 4 gns
Taranaki. Fort Robert.
Lower right (l.r.) in pencil: Taranaki Fort Robert 28th June 1864; verso: 19
Taranaki.
Lower right (l.r.) in pencil: 23 June; verso a: [watercolour sketch of the Sugar Loaves 75/163 ai]; verso b: [watercolour sketch 75/163 bi titled:] Henoi Bridge, Taranaki 23 June
Tanjong Pagar, Singapore.
Lower left (l.l.) in ink: 1850; on mount in ink: Tanjong Pagar, Singapore.