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Kauri
Lower right (l.r.) in pen & ink: McCahon ’59 April. Kauri
Kaipara Flat.
Lower left (l.l.) in pencil: Colin McCahon August ’71; l.r. in pencil: Kaipara Flat; papermakers chop: Steinbach Malmedy.
Window for Te Puke, upper and lower frames.
(1.:) l.c.: title, Colin McCahon. August 20-21, 70; u.c.: upper frame; glazier’s instructions inscribed throughout; verso on unattached card backing: Colin McCahon, title, To be hung over no 2. (2.:) l.c.: title, actual size, lower panel, Colin…
Crucifixion.
Lower right (l.r.) with brush: McCahon … [date illeg]; through image with brush: I.N.R.I.
Triangles.
Upper right (u.r.) in capitals: McCahon Jan ’65.
Swan Lake stage design 1.
Upper left (u.l.) with brush: [title]; u.r. with brush: McCahon; l.c. in ballpoint pen: lighting instructions; l.r. in pencil: Colin McCahon, March ’54; verso: preliminary sketch in gouache
Otago Harbour.
Lower right (l.r.) with brush: Colin McCahon 41; verso with brush: Otago Harbour Colin McCahon 1941; verso in ink: oil on gesso 25 gns; verso in ink: 24 Prestwick St, Maori Hill, Dunedin; verso in ballpoint pen: 15gns; verso in pencil: 30 green…
Towards Auckland 6.
Lower left (l.l.): [title]; l.r.: McCahon Jan 54
The Blessed Virgin compared to a jug of pure water and the infant Jesus to a lamp.
Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon…
Maitai Valley landscape.
Upper right (u.r.): McCahon 47; verso original card in ink: oil, Maitai Valley landscape. Not for sale. C. McCahon; in pencil: 2… BW dk cream close up no glass, Mr Brasch, 11a Smith St; [& unfinished oil painting of male nude, acc 89/92] Separated…
Little kauri tree.
Lower left (l.l.): McCahon May ’57; verso: [title]
Dark Trees, Dunedin.
Signed l.r.: Colin McCahon.
Abstract: print no. 4.
G.H. Brown writes: McCahon described this work to me as 'a sort of Gate', & laughingly said that the title could be Abstract: Gate, but whether that is accurate enough to use as a generic title for the complete set, to which this work belongs, seems…
Sketch for Window.
McCahon felt that the design was: 'a bit too easy'. McCahon gave this sketch to Brown when helping him in his Crummer Road studio during 1979.
Rita Cook [Rita Angus].
Lower right (l.r.): D.K. MacDiarmid ’45
Otago Peninsula.
Lower right (l.r.) in pencil: D Lusk '62 Otago Peninsula; label verso mount: John Leech Gallery. Ref. JL 1225. Artist: Doris Lusk. Title: Otago Peninsula. Medium: watercolour. size: 304 x 509. Date: 1962. Price. 360 Remuera Road, Remuera, Auckland,…
William Collinson.
Label verso in ball point pen: Doris Lusk. William Collinson. 1434
Return to Otago. Sept. 1987.
Verso composite board backing in felt pen, artist’s hand: Return to Otago. Sept. 1987. Doris Lusk. Oil on canvas; label verso in ballpoint pen, inscribed for donor by Noel Ginn: Return to Dunedin. Series of Doris Lusk paintings. Portrait of Anne…
Portrait of Colin McCahon.
19 in The Jack & Ethel McCahon gift to the Hocken Library. McCahon writes: "Doris Lusk. Portrait of C. McC. oil Unsigned & untitled. Late 30s in her Dunedin studio.Above U.F.S. Dispensary opposit City Hotel. c. 17 x 14 Blue Harris tweed coat by H.B.…
Onekaka Estuary.
Lower right (l.r.) with brush: D. Lusk 1966; verso frame: Oil sketch Onekaka Estuary Doris Lusk Jan. 1966; verso in another hand: Hocken Library; stamp: A.S. Hall
Tahunanui, Nelson.
Lower right (l.r.) with brush in red paint: G.P. [ligated, vertical] Nerli; label: St Clair Beach, Dunedin, N.Z. [undated press clipping about Nerli]; label: Fisher & Son, Christchurch; label: 146 with brush: D. Lusk ’47; verso with brush:…
Lyttelton Harbour.
Lower right (l.r.) in ink: D. Lusk 1961; in red ballpoint pen: A