Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; u.c. in pencil: As I pass the border, how can I forbear from turning back my head, Hsu Lan [jottings throughout].
This is one of McCahon's major works of the mid-1970s, along with the Urewera Mural, the Blind series, and the Parihaka Triptych. It has several motivations and triggers. The primary one is the shining cuckoo's song, spoken of in a Maori poem passed…
Lower left (l.l.) in ballpoint pen: C. McCahon, 1956; l.c. in ballpoint pen: Final version; u.l. in charcoal: The Glass Menagerie; verso in pencil & red ballpoint pen: [production memoranda]
Lower left (l.l.) in ballpoint pen: A gentleman calls; l.c. in ballpoint pen: The Glass Menagerie; l.r. in ballpoint pen: C.McCahon 1956; verso in pencil: door [unfinished pencil sketch]
Lower left (l.l.) in ballpoint pen: The Glass Menageries 1956; l.c. in ballpoint pen: C. McCahon; through image in ballpoint pen: [various inscriptions]
Lower left (l.l.) in ballpoint pen: C. McCahon; l.c. in ballpoint pen: The Glass Menagerie 1956; u.c. in ballpoint pen: Cyclorama [variously inscribed throughout]
inverted lower left with brush: McCahon; upper centre with brush: Peer Gynt; lower centre with brush: by Henrik Ibsen; verso: [pencil & watercolour landscape sketch]