Browse Items (109 total)

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Lower right (l.r.) with brush: C. Sommers.

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Label verso in ball point pen: Doris Lusk. William Collinson. 1434

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Lower right (l.r.) in ballpoint pen: McCahon Dec 64.

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Lower right (l.r.) with brush: Woollaston ’54-8; label: Landscape Greymouth. Waiuta; label: Mountford Tosswill Woollaston MAG titled Waiuta Greymouth

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About 1865 Nicholas Chevalier visited New Zealand with his wife and went on a tour of the lakes and mountains of Otago.

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"In the 1960s Wellington's long settled inner suburb of Thorndon was threatened by the proposed construction of a motorway through it. Old houses were pulled down and Wellington's first cemetery was demolished." "When plans for an extension to the…

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Verso in pencil: Upper Moutere in summer, Dec. 1945, Woollaston, Mapua; in ink in donor’s hand: C. Brasch [artist’s name & picture title]

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Centre (c.) in ink: oil, Maitai Valley landscape. Not for sale. C. McCahon; u.l. in pencil: 2… BW dk cream close up no glass, Mr Brasch, 11a Smith St; verso original card: [oil painting Maitai Valley landscape, acc. 20,922 also titled Nelson Hills…

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Upper right (u.r.) in capitals: McCahon Jan ’65.

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"[Field's] ideas on painting had been influenced by the Post-Impressionists to the extent of allowing heightened colour and a degree of flattening and formal interest in the constructin of the imagery. Anywhere else Field would not have seemed…

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Lower left (l.l.) with brush: D. Lusk 41; verso in white paint superimposed over pencil: Tobacco fields, Nelson, N.Z. Doris Lusk 25 Ross St Dunedin; verso in pink crayon: C Brasch Dunedin; label: 20

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Lower left (l.l.) with brush: JTT 1881; label recto: Titiroa River. 1881; on canvas verso: Titiroa River. 1881; label verso: T.T. Thomson for exhibition only

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Lower left (l.l.): McCahon May ’ 57, Aug Sept 1, Titirangi; l.r. Winter.

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Lower left (l.l.) with brush: J. Smetham 1863; on frame: The New Zealand chiefs in Wesley's house. James Smetham 1863.

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Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.

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Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.

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Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon…

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Depicts the ship `Dunedin' that carried the 1st load of frozen lamb to England from Port Chalmers in 1882

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This is one of McCahon's major works of the mid-1970s, along with the Urewera Mural, the Blind series, and the Parihaka Triptych. It has several motivations and triggers. The primary one is the shining cuckoo's song, spoken of in a Maori poem passed…

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Lower right (l.r.) with brush in red paint: G.P. [ligated, vertical] Nerli; label: St Clair Beach, Dunedin, N.Z. [undated press clipping about Nerli]; label: Fisher & Son, Christchurch; label: 146 with brush: D. Lusk ’47; verso with brush:…

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Lower right (l.r.) with brush: NH 95 [monogram]; verso: NH 95 [monogram]

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Subject once thought to be a view in Dunedin, but now thought, by Margaret Taylor, to be a street in Ballarat, Australia. Title taken from work exhibited in the New Zealand & South Seas Exhibition Dunedin, 1889-90. panel is from cigar box.

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Lower right (l.r.) with brush in red paint: G.P. [ligated, vertical] Nerli; label: St Clair Beach, Dunedin, N.Z. [undated press clipping about Nerli]; label: Fisher & Son, Christchurch; label: 146

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