Browse Items (159 total)

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McCahon felt that the design was: 'a bit too easy'. McCahon gave this sketch to Brown when helping him in his Crummer Road studio during 1979.

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Lower right (l.r.) in pencil: James M. Nairn; verso frame in pencil in Brasch’s hand: J.M. Nairn; verso frame in ballpoint pen: Nisbet [framing instructions]

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An early advertisement for the Speight’s Brewery in Dunedin printed in the Capping Carnival Magazine from August 1919. The consumption of vast quantities of beer has always been an activity associated with student life.

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Found in the University of Otago Medical Library Historical Collection this photograph is an example of Otago University's relationship with the Pacific.

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Lower right (l.r.) in ink: Woollaston ’61; on tag verso in fountain pen: 114 Tasman Bay 4 gns

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Label: Tasman landscape 8 gns. 1107 Woollaston. 41 [crossed out] 36

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Verso in pencil (Charles Brasch’s hand): Tasman landscape.

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Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon…

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Verso original mount in ballpoint pen: January 1972 Jeffrey Harris [title] painted in Wellington at Mrs Paul’s

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Verso original mount: Sleeping woman [crossed out] Woman sleeping. £5.5.0 M.T. Woollaston, Mapua. The wife of the artist 1947

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"[Field's] ideas on painting had been influenced by the Post-Impressionists to the extent of allowing heightened colour and a degree of flattening and formal interest in the constructin of the imagery. Anywhere else Field would not have seemed…

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Upper right (u.r.) in black ink: Jeffrey Harris July 1973; verso mount in ballpoint pen: Two bathers Jeffrey Harris Wgtn 1973

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A photograph of the Men’s Athletic Team for the Easter Tournament of 1910 or 1911. The students are wearing their uniforms which have a large O stitched onto the chest. They are also photographed with their awards and trophies.
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