Browse Items (106 total)
- Temporal Coverage is exactly "Nineteen fifties"
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Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C. McCahon, 1956; l.c. in ballpoint pen: Final version; u.l. in charcoal: The Glass Menagerie; verso in pencil & red ballpoint pen: [production memoranda]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: A gentleman calls; l.c. in ballpoint pen: The Glass Menagerie; l.r. in ballpoint pen: C.McCahon 1956; verso in pencil: door [unfinished pencil sketch]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C.McCahon The Glass Menagerie 1956; verso: [unfinished pencil sketch]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: The Glass Menageries 1956; l.c. in ballpoint pen: C. McCahon; through image in ballpoint pen: [various inscriptions]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C. McCahon; l.c. in ballpoint pen: The Glass Menagerie 1956; u.c. in ballpoint pen: Cyclorama [variously inscribed throughout]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C. McCahon; l.c. in ballpoint pen: The Glass Menageries 1956; verso: [unfinished sketch]
Swan Lake stage design 1.
Upper left (u.l.) with brush: [title]; u.r. with brush: McCahon; l.c. in ballpoint pen: lighting instructions; l.r. in pencil: Colin McCahon, March ’54; verso: preliminary sketch in gouache
Swan Lake, stage design 2.
Verso each pair in pencil: A B C D [respectively].
The curtain of Solomon.
Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.
The curtain of Solomon.
Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.
The Wake for Thor : Panel 10
10. no text - kauri; Lower left: McCahon ’58
The Wake for Thor : Panel 12
12. no text - kauri; Lower left: McCahon ’58
The Wake for Thor : Panel 15
15. no text - kauri
The Wake for Thor : Panel 16
16. no text - kauri; Lower left.: McCahon ’58.
The Wake for Thor : Panel 2
2: no text - landscape. Lower left: McCahon ’58
The Wake for Thor : Panel 4
4. no text - kauri. Lower left: McCahon ’58
The Wake for Thor, Great Dane. John Caselberg.
1. Title; 1785 x 1265 mm; Inscribed: John Caselberg. The Wake for Thor, Great Dane; l.r.: McCahon ’58; centre right edge: Titirangi, 1957; verso: rejected version
The Wake I
3. I: Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” I; verso: rejected version
The Wake II
5. II; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” II
The Wake III
6. III; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” III; verso: rejected version
The Wake IV
7. IV; Lower right: McCahon ’58; margin below: John Caselberg, “The Wake” IV
The Wake IX
14. IX; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” IX; verso: rejected version
The Wake V
8. V; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” V
The Wake VI
9. VI; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VI