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Untitled.
Verso in pencil: This way up. Colin McCahon; verso in pencil in different hand: Art School period.
Gay Nineties Soirée. Dunedin Left Book Club, Saturday Nov. 18. 1938.
Through image with brush: Gay Nineties Soirée. Dunedin Left Book Club, Saturday Nov. 18.
Preliminary study for portrait of Gordon H. Brown.
Lower left (l.l.) in ink: Colin McCahon 1968.
Stage designs for [The Thieves Carnival, by Jean Anouilh] Act 1.
Lower right (l.r.) in red ballpoint pen: Act 1; verso: pencil drawing.
Stage designs for [The Thieves Carnival, by Jean Anouilh] Act 2.
Lower right (l.r.) in red ballpoint pen: Act 2.
Stage designs for [The Thieves Carnival, by Jean Anouilh] Act 3.
Lower right (l.r.) in red ballpoint pen: Act 3; verso: ballpoint pen drawing.
Taieri Mouth.
Lower right (l.r.) in pencil: Colin McCahon; verso: Taieri Mouth.
Brighton.
Lower right (l.r.) in pencil: Colin McCahon; verso: Brighton.
Painting.
Lower right (l.r.): McCahon 17.9.62; verso: [artist's name & date]; Ikon Gallery label on stretcher inscribed: 'Painting' Colin McCahon.
Puketutu, Manukau, 3 lithographs. 2.
Lower left (l.l.) on stone: Puketutu from my boat. ’57. ed.100.
Puketutu, Manukau, 3 lithographs. 1.
Lower right (l.r.) on stone: C.McC. 57.
Puketutu, Manukau, 3 lithographs. title page.
Inscribed throughout on stone: Puketutu, Manukau, 3 lithographs by Colin McCahon 1957.1. ed. 100. Published by Peter Webb, High St Auckland.
Working drawings for three paintings of the Otago Peninsula. For Hocken - view of Otago Harbour near Observatory. Follows first Peninsula painting.
Shows observatory & Ravensbourne Wharf.
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
l.l. in pencil: Mt Charles; l.r. in pencil: C. McCahon; verso: pen & ink sketch inscribed: Dark light.
Working drawings for three paintings of the Otago Peninsula. Untitled.
Through image in pencil: [painting notes inscribed]; above image in pencil: [illeg inscription crossed out]; verso vertically in pencil: [illeg] from Psalms 1 25.
Working drawings for three paintings of the Otago Peninsula. Untitled.
Lower centre (l.c.) in pencil vertically: Jan 1 1946; through image in pencil; [grid lines colour notes] concave; verso: [fragmentary sketch] landscape from Port Chalmers white.
Working drawings for three paintings of the Otago Peninsula. [from] Mount Charles.
Lower right (l.r.) in pencil: C. McCahon; l.l. in pencil: Mt Charles.
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Below image c. in ink: For R. Kennedy landscape; l.r. in ink: McCahon; through image in pencil: concave.
Working drawings for three paintings of the Otago Peninsula. Peninsula.
Lower right (l.r.) in ink: Peninsula McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Lower centre (l.c.) in ink: Peninsular landscape; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with Harbour Cone.
Lower centre (l.c.) in ink: Peninsular landscape with Harbour Cone; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Harbour Cone.
Lower right (l.r.) in ink: Harbour Cone, McCahon.
Working drawings for three paintings of the Otago Peninsula. Harbour Cone, Observatory. Ravensbourne Wharf.
Lower left (l.l.) in pencil: McCahon í40; through in pencil: grid lines; verso in pencil: Harbour Cone, Observatory, Ravensbourne Wharf 45.
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Upper right (u.r.) in pencil: for Rodney Kennedy’s landscape; c.r. in pencil: missing drawing from this sheet with R.N. O’Reilly; inscribed through image in blue & black ink: artist’s notes; verso: fragment of painting.