1
25
122
-
https://ourheritage.ac.nz/files/original/9330fa107e37f908bdf104fc2c52ec9b.jpg
9c0fc0a90a90297f0c86e9b6d863f16c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Japanese Bowl
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
Unknown
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Emma Mellor visited Dunedin in 1945 and arranged for papers, photographs, books, and ceramics from the Mellor estate to go to Special Collections, University of Otago, the Otago Museum, and the Heritage Collections, Dunedin Public Library. Some 78 ceramics went to the Otago Museum, including a small gold flambé vase, a silver wedding vase from Pilkinton, Manchester, a coffee cup and saucer from Limoges, France, an American glass candlestick, and a crude vase made in Assisi, Italy. Also in the Mellor gift was this decorative Japanese bowl.
Type
The nature or genre of the resource
Pottery
ceramics
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/a7ca4089bf976d64884e0494d0b795d3.jpg
f6bce61d496612442342916de84c26b9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 19th century
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
While this floral platter-plate is termed ‘Dresden’, it was actually made in Meissen, some 25 kilometres northwest of Dresden, Germany. Almost all ‘Dresden’ porcelain was produced in Meissen and sold in Dresden, which was the cultural and economic centre of Saxony. This colourful platter-plate – once owned by Mellor – contains the distinctive blue crown Dresden mark, which was established by the industry about 1883.
Type
The nature or genre of the resource
Pottery
Title
A name given to the resource
Dresden Plate
ceramics
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/1bc5b8696408e1028dceac6ba85dda98.jpg
2217a37def1eb36fd0faca913a842c81
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
19th century
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum Dunedin)
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This 19th century Chinese porcelain teapot is from Jingdezhen, a city synonymous with ceramics. The city is believed to have been producing fine ware from as early as the 6th century. This teapot was probably part of Mellor’s reference collection of ceramic items. After his death in 1938, Emma Mellor donated it (and others) to the Otago Museum.
Type
The nature or genre of the resource
Pottery
Title
A name given to the resource
Chinese teapot (Jingdezhen, Jiangxi region, China)
ceramics
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/f5457a2cb18f9639609343c8504640a3.jpg
be6a7aa21fdeda3929ffb46a8037ac44
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
J. W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Books
Publisher
An entity responsible for making the resource available
London: The Ceramic Society by Longmans, Green and Co.,
Abstract
A summary of the resource.
Cartoon from <em>Uncle Joe's Nonsense</em>
Title
A name given to the resource
'The Mathematics of Pernicious Anaemia' from Uncle Joe’s Nonsense for Young and Old Children
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/d52c3068d2ced9259142f13717619c08.jpg
fad1f7f41890bf8545c600764dde16be
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
J. W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Books
Publisher
An entity responsible for making the resource available
London: The Ceramic Society by Longmans, Green and Co.,
Abstract
A summary of the resource.
Cartoon from<em> Uncle Joe’s Nonsense</em>
Title
A name given to the resource
'I Remonstrate Seriously with Louise the Coquette' from Uncle Joe’s Nonsense for Young and Old Children
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/9840a522f9cae41418b93f3475de316d.jpg
6af866eaa5cac09421fa31e4ff2e1807
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
J. W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Books
Publisher
An entity responsible for making the resource available
London: The Ceramic Society by Longmans, Green and Co.
Abstract
A summary of the resource.
Cartoon from <em>Uncle Joe's Nonsense</em>
Title
A name given to the resource
'The First Technical Research Association in Quest of Knowledge' from Uncle Joe’s Nonsense for Young and Old Children
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/8f6bdcc3c6d99db73052bd6b23a3973f.jpg
3029beca145145bd6eb56ab54a559a66
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
J. W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Books
Publisher
An entity responsible for making the resource available
London: The Ceramic Society by Longmans, Green and Co.
Abstract
A summary of the resource.
Cartoon from<em> Uncle Joe's Nonsense</em>
Title
A name given to the resource
'The President's Christmas Dream of Spring' from Uncle Joe’s Nonsense for Young and Old Children
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/51744b25b83d33eee58d9be3510401fe.jpg
8606ed75e1b454c32b2afbe045a28c4c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Wedgwood (UK)
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1891-1908
Identifier
An unambiguous reference to the resource within a given context
Mellor collection, Otago Museum (Image copyright, Otago Museum, Dunedin
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Josiah Wedgwood began working in his father’s pottery from the age of nine and in 1768 he built a factory near Stoke-on-Trent which he called ‘Etruria’. For the next 175 years Wedgwood pottery was produced there; in 1940 the factory was moved to the village of Barlaston in Staffordshire. The mark on the bottom of this Wedgwood bone china cup and saucer dates it to between 1891 and 1908, as it was in 1891 that ‘England’ first appeared on the Wedgwood mark. In 1908 the mark was replaced by ‘Made in England’. The tea and breakfast service from which this set comes was apparently a favourite of Frank Wedgwood’s.
Title
A name given to the resource
Wedgwood cup and saucer
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/01b0c07f902868b031b284ae7d9b63d2.jpg
c062b58d2b20669cb60d4508ba8b3325
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
R.H. and S.L. Plant (Ltd), Longton, Stoke-on-Trent, Staffordshire
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1920
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This ‘Tuscan China’ tea pot was donated by Emma Mellor to the Otago Museum in the 1950s and was made by R.H. and S.L. Plant (Ltd) in the town of Longton, Stoke-on-Trent in about the 1920s. The Plant family had been active in the Staffordshire pottery industry since about 1775 but their business was founded in 1878. They used white china clay to produce their ‘Tuscan China’ range with about 30,000 different patterns emerging over the years. The company traded until the late 1960s when it was absorbed by the Wedgwood group.
Title
A name given to the resource
‘Tuscan China’ tea pot
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/8a7277a8d1b6ed9aaf358b530ef77827.jpg
59774fc252465baee8ea3fd5c54899dc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
R.H. and S.L. Plant (Ltd), Longton, Stoke-on-Trent, Staffordshire
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1920
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This ‘Tuscan China’ coffee pot was donated by Emma Mellor to the Otago Museum in the 1950s and was made by R.H. and S.L. Plant (Ltd) in the town of Longton, Stoke-on-Trent in about the 1920s. The Plant family had been active in the Staffordshire pottery industry since about 1775 but their business was founded in 1878. They used white china clay to produce their ‘Tuscan China’ range with about 30,000 different patterns emerging over the years. The company traded until the late 1960s when it was absorbed by the Wedgwood group.
Title
A name given to the resource
‘Tuscan China’ coffee pot
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/4da22d847031bd132dbd20b02b239866.jpg
bcc36b5f6c896a55ec8b791d1b94e0ba
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1935
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Mellor was an elected member or honorary member of a number of Ceramic Societies, viz., the British Ceramic Society (1905), the American Ceramic Society (1932), German Ceramic Society (1935); Czechoslovakian Ceramic Society (1935) and the Canadian Ceramic Society (1937). This orange dog is Czechoslovakian in origin and is likely to have been given to Mellor when he was made an Honorary Member of the Czechoslovakian Ceramic Society in September 1935. The dog was one of many ceramic items donated to the Otago Museum by Emma Mellor after Joseph Mellor’s death in 1938.
Title
A name given to the resource
Orange Czechoslovakian Dog
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/b4e379b459e0265c020396b9bf33bc45.jpg
057e87e9ab3261bc3678e4221666c3f6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
British Ceramic Society
Date
A point or period of time associated with an event in the lifecycle of the resource
December, 1935
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers, Box 1
Type
The nature or genre of the resource
Pamphlets
Publisher
An entity responsible for making the resource available
[Stoke-on-Trent: British Ceramic Society?]
Abstract
A summary of the resource.
In 1932, Joseph Mellor was, ‘in recognition of achievements of exceptional value in ceramics’, made an honorary member of the American Ceramic Society. Perhaps some American members were present at the annual banquet of the Ceramic Society (UK) in November 1935. Mellor was present, and he no doubt enjoyed the joke told by Ceramic Society President C.R.F. Threfall that ‘To call a man a brick is a universally accepted compliment; to be called a regular brick is even a greater compliment.’
Title
A name given to the resource
Photograph from Transactions [of the British Ceramic Society], Vol. XXXIV
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/76c2c22a26f3b04b69fdca404f41fbd4.jpg
6a69437a3170ff7d0d182f6371a4c5cd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Blue Leeds Fireclay Company bowl
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1900
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This blue Leeds Fireclay Company bowl was owned by Mellor and gifted to the Otago Museum by his wife, Emma, in 1945. The possession of it is understandable given Mellor’s interest in refractory materials in furnaces and kilns. Fireclay (hydrous silicates of aluminium; Al2O3.2SiO2.2H2O) was discovered in a coal mine by William Wilcox and John Lassey in 1859. It can withstand very high temperatures.
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/126c7a6b12bdd221a73412bee6fa47dd.jpg
c286f34e9edc173260ef2167ff718205
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fired kiln cones
Creator
An entity primarily responsible for making the resource
Otago Polytechnic
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Identifier
An unambiguous reference to the resource within a given context
Courtesy of the Otago Polytechnic Ceramics Department
Type
The nature or genre of the resource
Ceramic industry
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Kiln cones fired by the Ceramics Department at the Otago Polytechnic.
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/df2f47d51245a04a80d2e7b81669ee3d.jpg
852a650fe0bd7ff26c8b3b3634c58d74
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ruby rock or Goodletite.
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Identifier
An unambiguous reference to the resource within a given context
Department of Chemistry, University of Otago
Type
The nature or genre of the resource
Jewelry
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
On one occasion William 'Wullie' Goodlet travelled to the West Coast and came across a boulder that took his interest. After examination, it was discovered to contain ruby and sapphire corundum. This rock is now known as ruby rock or Goodletite
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/9c034968cbf80a24c132832108610c63.jpg
a9e064911965b6aaa12a97da73d12881
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
China plate
Creator
An entity primarily responsible for making the resource
Produced in Jingdezhen, Jiangxi, China
Date
A point or period of time associated with an event in the lifecycle of the resource
18th Century
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This 18th century porcelain plate was produced in Jingdezhen in the Jiangxi region in the northeast of China. Jingdezhen is known as the ‘Porcelain Capital’ and it is thought that high quality, fine china has been produced there for almost 2000 years. More commonly associated with blue and white coloured wares, pottery has been exported from the area as early as the 13th century and Marco Polo (1254-1324) mentioned the quality of the porcelain in his <em>Travels of Marco Polo</em>. Nothing is known of this particular plate or how Mellor came to have it in his collection but he was no doubt attracted by its vibrant colour palette.
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/4cafd83d938e2b282b527d5c0102b0ff.jpg
149f5c5a2d82d6b6cf8a3af724b3a476
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Joseph W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1935
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Drawings
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This diagram shows the basic tetrahedral SiO4 building block (Fig. 51) and α-quartz (Fig. 235), β-quartz (Fig. 236), β-cristobalite (Fig. 236) and β-tridymite (Fig. 237). Polymorphs have the same chemical formulae but different structures. Mellor describes the significance of these forms in the glazing process. 'Nature has set limits of temperature within which each form of silica is stable. If these limits be exceeded, the silica becomes unstable and undergoes a molecular cataclysm, whereby the structural units rearrange themselves of their own accord, slowly or quickly, according to a different architectural plan, so as to produce another kind of silica which is stable only in a new range of temperature' (Mellor, <em>Crazing and Peeling of Glazes</em>, 1935).
Title
A name given to the resource
Hand-drawn diagrams of the polymorphs of silica
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/80f222af3f5485bf74f3556f5e72b522.jpg
eebddb52beba60552c134c772b4ca2b5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joseph Mellor smoking a pipe
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
[c. 1930]
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers, Box 16, Folder 1
Type
The nature or genre of the resource
Photographs
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Mellor frequently ‘lit up’ – in fact it is thought that Mellor smoked an ounce (28 grams) of tobacco every day.
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/52322a9a910a5c47360b8a41cc312b3f.jpg
2d03909883a35aa0063e505e8393a1b2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joseph William Mellor
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1902
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers, Photograph Album, Box 11
Type
The nature or genre of the resource
Photographs
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This photograph of Joseph William Mellor was probably taken not long after he gained his doctorate from Owens College, Manchester in 1902. The equation on the blackboard is part of van der Waals equation named for Dutch physicist and Nobel Prize winner Johannes Diderik van der Waals (1837-1923). It enables scientists to calculate the transitional phases that a gas undergoes to become a liquid
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/1be976f9d1a3f4cf58d84c59a100b7c5.jpg
e47c30d9e4956e4bb6ff60c511079367
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
J. W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Books
Publisher
An entity responsible for making the resource available
London: The Ceramic Society by Longmans, Green and Co.
Abstract
A summary of the resource.
Emma and Joseph Mellor never had children but Joseph regularly wrote to his nieces and nephews in Dunedin; the sons and daughters of his sister Agnes and her husband Arthur Ellis. Mellor’s letters always included cartoon drawings and this one appears in Mellor’s <em>Uncle Joe’s Nonsense</em> (1934). In the letter from the book, Mellor is telling his nephew (not named) a story of how a fellow bus traveller accused him of stealing his tie pin after stumbling into him while embarking. The man subsequently follows him to a bookshop. The story includes a trip to the police station, vindication for Mellor and the offer of ‘hush’ money from the top-hatted gentleman. The letter ends by Mellor saying he woke up with a start as he had missed his stop. It was all a dream!
Title
A name given to the resource
Uncle Joe’s Nonsense for Young and Old Children
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/044611098dce8991e5891e9a176ad605.jpg
e38b8a04b3d0e9302a3b544eb241054f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
<em>Otago Daily Times</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
29 October, 2014
Identifier
An unambiguous reference to the resource within a given context
Special Collections, Digital Files
Type
The nature or genre of the resource
Photographs
Publisher
An entity responsible for making the resource available
Dunedin: <em>Otago Daily Times</em>
Abstract
A summary of the resource.
Historian Dr Ali Clarke and architectural history experts Michael Findlay and David Murray stand outside Mellor House, built in 1862 and now part of the psychology department. All are sure that Mellor House is the oldest on campus. Originally dubbed Leith Cottage, it was built by Thomas Calcutt, a printer who migrated from England to Otago in 1858. It was named after Mellor in 1946.
Title
A name given to the resource
Mellor House
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/2c47c95de2c68df7a941a147e9079c13.jpg
cce967662027b78bb4930dae45b6f16f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
J. W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
April, 1929
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Books
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Mellor’s growing reputation led to honorary memberships in other ceramic societies such as those in Germany and America. And he obviously enjoyed the socialising that came with such meetings. In 1929 the Ceramic Society (UK) travelled to America, where Mellor spoke to the American Ceramic Society at Ohio State University. Mellor immortalized this journey. He created a ‘Log-book of the Voyage’, containing cartoons of events (real and imagined), menus, and other ship-board ditties. The ‘last bottle’ reference in his ‘We Approach Our Destination’ is to Mellor’s favourite condiment – Worcester Sauce – which he apparently added to everything he ate.
Title
A name given to the resource
Log-book of the Voyage of the Ceramic Society to New York
cartoons
Ceramic Societies
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/7325e31bdaa90b067393a6cf492ed8ab.jpg
f474cf330b7845e49939e116337da00c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Joseph W. Mellor
Date
A point or period of time associated with an event in the lifecycle of the resource
1922-1937
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Books
Publisher
An entity responsible for making the resource available
London: Longmans, Green and Co.
Abstract
A summary of the resource.
Mellor began writing his <em>magnum opus</em> of chemistry, <em>Comprehensive Treatise on Inorganic and Theoretical Chemistry</em>, well before the first volume was published in 1922. In all, over the next fifteen years, sixteen volumes were published, with 16,000,000 words in total, all written by one man – Joseph William Mellor.
Title
A name given to the resource
Comprehensive Treatise on Inorganic and Theoretical Chemistry, Volumes 1-16
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/4afbbdc35f517476b99547e57950c78b.jpg
332fd77c4bdb1e0d8789d5370f14d971
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
Lafayette, Manchester
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1927
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Photographs
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Photograph of Joseph Mellor around the time he was accepted as a Fellow to the Royal Society, London.
Title
A name given to the resource
Joseph William Mellor
cartoons
ceramics
inorganic chemistry
Joseph Mellor
Royal Society
-
https://ourheritage.ac.nz/files/original/650d7e4cdef13a14cfbc4643e81ffc7e.jpg
b02fd101b28a6e5577f340666d323d3b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joseph W. Mellor
Creator
An entity primarily responsible for making the resource
Unknown
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1901
Identifier
An unambiguous reference to the resource within a given context
Mellor Papers
Type
The nature or genre of the resource
Photographs
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
Photograph of Joseph William Mellor around the time of the completion of his doctorate at Owens College.
cartoons
ceramics
inorganic chemistry
Joseph Mellor