Browse Items (36 total)

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Lower centre (l.c.) with brush: W. Hammond [title]; verso in crayon: W. Hammond 1985

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Lower right (l.r.): Hotere Port Chalmers 75-76; through image: [various inscriptions] throughout

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A: vertically right in crayon: Victory Beach; verso: [reverse image in pencil]; b: l.l. - l.r. in crayon & wax crayon: Aue Victory Aue; verso: [reverse image in pencil]; c.: l.l. - l.r. in crayon & wax crayon: Aue Victory Aue; verso: [reverse image…

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Lower right (l.r.): Hotere ’70; u.l. - u.r.: [title].

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Lower right (l.r.): Hotere Avignon ’78; on image: [Maori inscriptions].

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Lower left (l.l.) in pencil: Drawing for a love poem by Warren Dibble Hotere ’65; through image in pencil: Let me live on your wrist. Hood me with a habit spun of your love and I shall fly, no hawk but an Icarus, to the darkness inside your sun.

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Lower right (l.r.) in pencil: Drawing for a love poem by Warren Dibble Hotere ’65; through image in pencil: Let me live on your wrist. Hood me with a habit spun of your love and I shall fly, no hawk but an Icarus, to the darkness inside your sun.

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Lower left (l.l.): Hotere Avignon ’78; Sangro, a rosary of olive trees, landscape of windswept manuka from a poem by Cilla

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Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon…

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Lower right (l.r.): McCahon Feb ’54; on backing: C. McCahon I Am C.O.B.; on front of frame: 79.

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Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.

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Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.

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Lower left (l.l.) in pencil: Colin McCahon For my friend Pat France, Feb 1970. Poem by John Caselberg No 1 of six on van Gogh, the other five of which I hope you will love as much. Colin; through image in chalk: Wild the hedgerows, wild the spring,…

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Lower centre (l.c.) with brush: McCahon August ’59; u.l. - c.r. with brush: God, it is all dark. The heart beat but there is no answering hark of a hearer and no-one to speak; l.r. with brush: John in Canterbury; verso: Colin McCahon No 36 August…

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No 1 of a series of 15 drawings commissioned by Peter McLeavey to commemorate the twelfth year of his gallery’s existence.

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1. Title; 1785 x 1265 mm; Inscribed: John Caselberg. The Wake for Thor, Great Dane; l.r.: McCahon ’58; centre right edge: Titirangi, 1957; verso: rejected version

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2: no text - landscape. Lower left: McCahon ’58

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3. I: Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” I; verso: rejected version

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4. no text - kauri. Lower left: McCahon ’58

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5. II; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” II
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