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https://ourheritage.ac.nz/files/original/464fae4adc93b0b999771569a962cc93.jpg
7c394c15db9e082b2e142d0678fd6712
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
800
Height
311
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Te tangi o te pipiwhararua. (The song of the shining cuckoo) from a poem by Tangirau Hotere.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
The song of the shining cuckoo.
Subject
The topic of the resource
Beaches
Christian art and symbolism
Death in art
Folklore
Legends
Maori language
Maori (New Zealand people)
Mythology, Maori
Numbers in art
Pictorial works
Pūrākau
Spirits
Stations of the Cross in art
Symbolism in art
Wairua
Description
An account of the resource
This is one of McCahon's major works of the mid-1970s, along with the <em>Urewera Mural</em>, the <em>Blind</em> series, and the <em>Parihaka Triptych</em>. It has several motivations and triggers. The primary one is the shining cuckoo's song, spoken of in a Maori poem passed on to McCahon by Ralph Hotere who got it from his father. Such gifts often produced an 'answering hark' from McCahon. In this instance he combined the words of the song with several other strands of sign and image - Roman numerals, window frames, misted landscapes in white, gray and pale lemon, abstract panels a la Mark Rothko in his sombre phase. Other elelments come in to play through the talk around the painting. McCahon said he painted it as a memorial for three recently dead poet friends, R.A.K. Mason, Charles Brasch and James K. Baxter. Critics have pointed out the mixture of Maori, Classical and Christian elements, the latter being carried by the numbers 1 to 14, the number of stations of the cross in Catholic liturgy and a major McCahon motif, especially in the mid-1960s. Caselberg wrote an essay 'Colin mcCahon's Panels, "The Song of the Shining Cuckoo'", published in <em>Islands</em> 18 (1977), along with various texts and facsimiles. McCahon gave the work to the Hocken Library as a memorial to his poet friends. This is made explicit in a letter to John Caselberg: <br /> <em>It should be at Hocken. Could you see to this & if Hocken should want to make it a gift, for gifts: to Baxter, Mason, Brasch, please, do. When I start painting for myself I'll die.</em>
Through image, panel 1 with brush: I II Tuia Tui; margin below panel 1 with brush: Tuia tui; through image, panel 2 with brush: II IV V VI Tahia, tahia, kotahi te manu i tau ki te tahuna; through image panel 3 with brush: VII VIII; u.c. panel 3 with brush: Te tangi o te pipiwhararua. Tangirau Hotere; margin below panel 3 with brush:Tau mai; through image panel 4 with brush: IX X XI; margin below panel 4 with brush: Tau mai; through image panel 5 with brush: XII XIII XIV; margin below panel 5 with brush: Tau mai. C. McC, Oct í74.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1974
Contributor
An entity responsible for making contributions to the resource
Hotere, Tangirau (Author in quotations or text extracts)
Rights
Information about rights held in and over the resource
Te tangi o te pipiwhararua by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Extent
The size or duration of the resource.
5 panels: 1752 x 901 mm, 1770 x 902 mm, 1740 x 905 mm, 1757 x 900 mm & 1758 x 903 mm; assembled to form ca: 1770 x 4710 mm
Medium
The material or physical carrier of the resource.
oil on unstretched canvas panels
Language
A language of the resource
mao
Type
The nature or genre of the resource
Image
Paintings
Oil paintings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections
a7758
Spatial Coverage
Spatial characteristics of the resource.
Muriwai Beach (N.Z.)
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Colin McCahon, Auckland, 1977.
Beaches
Christian art and symbolism
Death in art
Folklore
Image
Legends
Maori
Maori (New Zealand people)
Maori language
Muriwai Beach (N.Z.)
Mythology
Numbers in art
Oil paintings
Paintings
Pictorial works
Pūrākau
Spirits
Stations of the Cross in art
Still Image
Symbolism in art
Wairua
Works of Art
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https://ourheritage.ac.nz/files/original/fb1fae60368bf510edeb609ba9697f44.jpg
eb41caeec6797cb4fc3e1e0cbb4dc954
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
800
Height
550
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Turnbull Thomson
Description
An account of the resource
A sample of the works by John Turnbull Thomson (1821-1884) held in Hocken Collections.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Opium Clipper “Poppy”. George Thomson Commander.
Subject
The topic of the resource
Poppy (Ship)
Pictorial works
Description
An account of the resource
Lower left (l.l.) with brush: J.T. Thomson 1851; on vanvas verso: Opium Clipper Poppy George Thomson Commander 1851; on frame: Owners: Jardine & Matheson (per Capt E. Thomson of Lennel North … [illeg] Jan.y 1976)
Table Of Contents
A list of subunits of the resource.
Creator
An entity primarily responsible for making the resource
Thomson, John Turnbull
Date Created
Date of creation of the resource.
1851
Extent
The size or duration of the resource.
378 x 543 mm
Medium
The material or physical carrier of the resource.
oil on canvas, stretched
Type
The nature or genre of the resource
Image
Paintings
Oil paintings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 93/37
a12330
Temporal Coverage
Temporal characteristics of the resource.
Nineteenth century
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Lennel Trust.
Given by the Hall-Jones family, Invercargill, 1993 [Given by Geoffrey Hall-Jones, John Hall-Jones & Gerard Hall-Jones, sons of the late Marjorie Hall-Jones, a granddaughter of John Turnbull Thomson].
Zotero
Genre
Seascapes & Marines
Image
Nineteenth century
Oil paintings
Paintings
Pictorial works
Poppy (Ship)
Ships
Still Image
Works of Art