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See the stirring of the Lake.
No 1 of a series of 15 drawings commissioned by Peter McLeavey to commemorate the twelfth year of his gallery’s existence.
Sketch plan relating to festival of Baxter’s plays in Wellington.
Inscribed throughout. Verso reproductions of paintings.
A piece of Muriwai canvas - Wall of death.
Upper centre (u.c.): A piece of Muriwai canvas; c.: Wall of death.
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; u.c. in pencil: As I pass the border, how can I forbear from turning back my head, Hsu Lan [jottings throughout].
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; l.c. in pencil: To be hung like this.
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; inscribed throughout.
Working drawing for stained glass windows.
Unsigned & undated. On same sheet: sketch plans for artist’s house.
Rodney Kennedy with “Vicarage Bed”, painting by Anne Hamblett (circa 1937).
Lower right (l.r.) in pencil: D. Lusk 1979; verso mount in ink: Rodney Kennedy with “Vicarage Bed”, painting by Anne Hamblett (circa 1937) McCahon. Doris Lusk. June 1979. w/colour pencil; in pencil unknown hand: Please leave attached. Holland;…
Lyttelton Harbour, Christchurch.
Verso: Lyttelton Harbour, Christchurch DLusk 1970.
Onekaka Estuary.
Lower right (l.r.) in ink over ballpoint pen: D. Lusk 70; l.l. in ballpoint pen: 6.
Greetings to Mondrian's Chrysanthemum of 1908. Kaipara Flat.
Lower left (l.l.) in pencil: Greetings to Mondrian’s Chrysanthemum of 1908; l.r. in pencil: Colin McCahon August 1971 Kaipara Flat; papermakers chop: Steinbach Malmedy; label: Mollers Gallery.
Wild the hedgerows, wild the spring, wild the yellowhammers sing. Wild the roaring of the sea, wilder still the blood in me.
Lower left (l.l.) in pencil: Colin McCahon For my friend Pat France, Feb 1970. Poem by John Caselberg No 1 of six on van Gogh, the other five of which I hope you will love as much. Colin; through image in chalk: Wild the hedgerows, wild the spring,…
Truth from the King Country, Load bearing structures. Series 3/4.
Verso with brush: Truth from the King Country. Load bearing structures. 4 3rd Series. Colin McC ’78 Acrylic.
Noughts and crosses, 5.
Lower left (l.l.) with brush C.McC. Jan ’76 Noughts and crosses; l.r.: 5.
Rosegarden V.
Lower left (l.l.) with brush: C.McC. 74. Rosegarden - V.
Kaipara Flat.
Lower left (l.l.) in pencil: Colin McCahon August ’71; l.r. in pencil: Kaipara Flat; papermakers chop: Steinbach Malmedy.
Window for Te Puke, upper and lower frames.
(1.:) l.c.: title, Colin McCahon. August 20-21, 70; u.c.: upper frame; glazier’s instructions inscribed throughout; verso on unattached card backing: Colin McCahon, title, To be hung over no 2. (2.:) l.c.: title, actual size, lower panel, Colin…
Drawing for Ian Wedde
Lower centre (l.c.) - lower right (l.r.) in ink: Drawing for Ian Wedde
Confessions of an Ocelot and Not for a Seagull, O.E. Middleton. John McIndoe.
Through image in pencil: Dear Brian Turner, Re Ted's cover, Please get your designer to use the same typeface as 'Selected Stories' except 'and' and 'O.E. Middleton' which should be proportionally smaller case (see rough) Smaller case. The black…
[Confessions of an Ocelot and Not for a Seagull, O.E. Middleton. John McIndoe.]
Verso in charcoal: Photoplate. Cover design for O.E. Middleton. Hotere 77/78 Return to; verso in ballpoint pen: Use this for cover. 3/20 42B %
Confessions of an Ocelot and Not for a Seagull, O.E. Middleton. John McIndoe.
Through image in charcoal: Red Band. Cover design for O.E. Middleton. O.E.M. in red band. Black through spine. Hotere 77/78. Cover Design for O.E.M.; through image with brush: O.E. Middleton. Confessions of an Ocelot and [retraced in charcoal to…
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: 5
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere
Drawing for O.E. Middleton
Upper left (u.l.) in pencil: Drawing for O.E.M.
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere