1
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em></em>Cover of <em>The Book of Kells</em>
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
London: Studio
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Central PYP Sul. Hewitson Library, Knox College, Dunedin
Title
A name given to the resource
The Book of Kells
Book of Kells
James Joyce
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Rilke's Cathedral Cycle describes an idealised Gothic Cathedral with various architectural and sculptural details. For Rilke, the cathedral embodies the spirit of the middle ages. While the smiling angel with a sun dial is specifically linked to Chartres Cathedral, the other details – a portal, a rose window, and a capital – are universal and imagined. In this image of the west façade of Chartres Cathedral, two of those features can be seen: the rose window, which depicts the Last Judgement; and, beneath it, the portal, with its sculpted theological images.
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
___
Date
A point or period of time associated with an event in the lifecycle of the resource
___
Identifier
An unambiguous reference to the resource within a given context
___
Title
A name given to the resource
West Façade, Chartres Cathedral, France
Chartres Cathedral
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
When Sebastian Brant published <em>Das Narrenschiff</em> (The Ship of Fools), the poem was illustrated with woodcuts designed by several artists including the young Albrecht Dürer. The immensely popular images whimsically depict a range of foolish and sinful behaviours. The figures in them wear fools’ caps shaped like an ass’s ears with bells on their tips. In this image, the fools are crowded together in small boats steered by fools and headed for Narragonia, the Land of Fools.
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
___
Date
A point or period of time associated with an event in the lifecycle of the resource
1509
Identifier
An unambiguous reference to the resource within a given context
___
Title
A name given to the resource
The Shyp of Fooles
Modernism
Ship of Fools
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>The Book of Kells</em> (ca. 800 AD) is a magnificent and vibrantly coloured illuminated manuscript of the Gospels. Its ornate pages combine Celtic knots and interlacing with intricate figures of animals, humans, and mythical beasts. Joyce was familiar with this particular edition; it is likely the one he carried with him around Europe. He wrote to Arthur Power: ‘In all the places I have been to, Rome, Zurich, Trieste, I have taken it about with me, and have pored over its workmanship for hours … some of the big initial letters which swing right across a page have the essential quality of a chapter of <em>Ulysses</em>. Indeed, you can compare much of my work to the intricate illuminations.’
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
London: Studio
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Central PYP Sul. Hewitson Library, Knox College, Dunedin
Title
A name given to the resource
The Book of Kells
Modernism
The Book of Kells
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
The decorations in <em>The Book of Kells</em> often involve traditional Christian iconography. The illuminations here portray the symbols of the Four Evangelists: a man (Matthew), a lion (Mark), an eagle (John), and an ox (Luke), each of the figures is winged. Curiously, in Joyce’s <em>Ulysses</em>, these symbols appear on the citizen’s ‘muchtreasured and intricately embroidered ancient Irish’ handkerchief. In his description, Joyce playfully gives Matthew ‘a bogoak sceptre’ instead of a lance, replaces the (British) lion with ‘a North American puma’ and the ox with ‘a Kerry calf,’ and says that the eagle is from Carrantuohill.
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
London: Studio
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Central PYP Sul. Hewitson Library, Knox College, Dunedin
Title
A name given to the resource
The Book of Kells
Modernism
The Book of Kells
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
In 1913, Blaise Cendrars published his <em>La Prose du Transsibérien</em>, a poem telling of his trip in 1905 on the newly opened Trans-Siberian Express railway. The work is a supreme example of European Modernism, a product of <em>simultaneisme</em>, which promoted the concept of the continuous present. It is a collaborative work, with images (including the Eiffel Tower) by artist Sonia Delaunay. The original edition unfolds to over six feet in length, and, according to legend, if the proposed edition of 150 copies were laid end to end, they would be as tall as the Eiffel Tower. In reality some 60 were produced; only seven are recorded as held in institutions. This copy is reproduced from the Yale University Press facsimile, 2009.
Creator
An entity primarily responsible for making the resource
Blaise Cendrars
Publisher
An entity responsible for making the resource available
New Haven: Yale University Press
Date
A point or period of time associated with an event in the lifecycle of the resource
2009 (facsimile)
Identifier
An unambiguous reference to the resource within a given context
Private Collection
Title
A name given to the resource
La Prose du Transsibérien et de la Petite Jehanne de France
Blaise Cendrars
Eiffel Tower
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
While writing <em>Les Fleurs du Mal</em>, Charles Baudelaire kept on his desk two inspirational art works: a set of engravings by Alfred Rethel depicting a more modern, ironic, and hostile <em>Danse Macabre</em>; and a skeleton statuette sculpted by Ernest Christophe. With left hand positioned jauntily on her hip, the female skeleton wears a gown, is garlanded with flowers, and, right arm slightly bent, cradles a mask of flesh, looking as though she were about to attend a masquerade. In his poem ‘Danse Macabre,’ Baudelaire’s skeletal coquette is perfumed, elegant, and alluring as she leads humanity in a grotesque<em> Danse Macabre</em>.
Creator
An entity primarily responsible for making the resource
Charles Baudelaire
Publisher
An entity responsible for making the resource available
New York: Printed for the Members of the Limited Editions Club
Date
A point or period of time associated with an event in the lifecycle of the resource
1971
Identifier
An unambiguous reference to the resource within a given context
Special Collections PQ2191 F6 A2 1971
Title
A name given to the resource
Flowers of Evil
Charles Baudelaire
Dance of Death
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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3505
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Mornings in Mexico</em> is a collection of travel essays, which incorporates Mexican myth and history. In the first essay, D. H. Lawrence describes two malevolent parrots as they mimic the yapping of a dog, and Corasmin, the ‘little fat, curly white dog,’ who appears resigned to their shrieking – and the heat and his fleas. The narrator realises that the thoughts he is projecting onto Corasmin belong to a different cycle of evolution. Quickly rejecting the evolutionary view, he prefers the Aztec account of successive suns and the convulsive ‘bang’ of history.
Creator
An entity primarily responsible for making the resource
D. H. Lawrence
Publisher
An entity responsible for making the resource available
London: Martin Secker
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6023 A93 M67
Title
A name given to the resource
Mornings in Mexico
D. H. Lawrence
Modernism
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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1772
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2660
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Welsh poet David Jones defines<em> anathemata</em> as things ‘made over to the gods,’ things devoted, donated, and dedicated. He records fragments and remains of cultural traditions, from the rituals of Mass to Rugby Union rules. His materials come from British and European myth, literature, history, and legend, and he acknowledges the composite tradition of Britain, with its Celtic, Imperial Roman, Saxon, and Christian roots. <em>The Anathemata</em> is a complex, allusive poem exploring cultural artefacts and themes of empire and resistance.
Creator
An entity primarily responsible for making the resource
David Jones
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1952
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6019 O53 A8
Title
A name given to the resource
The Anathemata: Fragments of an Attempted Writing
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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2982
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Buile Suibhne</em> (<em>The Madness/Frenzy of Sweeny</em>) tells the story of Sweeny, pagan King of Dal Araidhe in Ulster, whose ill-tempered actions are punished with a curse. Sweeny becomes mad and travels through Ireland, living in tree tops like a bird and composing poems about his location and fate. As ‘Suibne in the Woods’ opens, Sweeny comes to rest on a branch.
Creator
An entity primarily responsible for making the resource
Edited and translated by Gerard Murphy
Publisher
An entity responsible for making the resource available
Oxford: Clarendon Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1956
Identifier
An unambiguous reference to the resource within a given context
Central PB1351 E33
Title
A name given to the resource
Early Irish Lyrics: Eighth to Twelfth Century
Modernism
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Cover of Charles Handley-Read's <em>The Art of Wyndham Lewis</em>
Creator
An entity primarily responsible for making the resource
Edited by Charles Handley-Read
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1951
Identifier
An unambiguous reference to the resource within a given context
Brasch ND497 L48 H686
Title
A name given to the resource
The Art of Wyndham Lewis
Modernism
Wyndham Lewis
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
On a visit to London in 1938, Pound posed for this portrait. Arriving at Lewis’ house, he ‘flung himself at full length’ into Lewis’ best chair and ‘did not move for two hours by the clock.’ In the portrait, now housed in the Tate Gallery, Pound reclines in a chair, his eyes closed, face restful, and body motionless. Beside him is a table; on which a folded newspaper lies and assorted ashtrays sit. Behind the table, a painted canvas is propped against the wall. Lewis’ crayon sketch of Pound’s head in Plate 46 is a study for the oil portrait in Plate 47.
Creator
An entity primarily responsible for making the resource
Edited by Charles Handley-Read
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1951
Identifier
An unambiguous reference to the resource within a given context
Brasch ND497 L48 H686
Title
A name given to the resource
The Art of Wyndham Lewis, with an Essay on Detail in the Artist’s Style, a Chronological Outline and Notes on the Plates
Modernism
Wyndham Lewis
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Imagist poets isolate a single image and reveal its essence. Pound defined an image as ‘that which presents an intellectual and emotional complex in an instant of time.’ The poet renders the image precisely, in clear, direct, exact language and in rhythms composed in individualised musical phases, not conventional metres and forms. Between 1914 and 1917, Imagist poets published four anthologies, and many of the contributors to those volumes appear in this 1930 anthology.
Creator
An entity primarily responsible for making the resource
Edited by Richard Aldington
Publisher
An entity responsible for making the resource available
London: Chatto & Windus
Date
A point or period of time associated with an event in the lifecycle of the resource
1930
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR605 I6 I98
Title
A name given to the resource
Imagist Anthology, 1930
Imagists
Modernism
Richard Aldington
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Photograph of T. S. Eliot (1910). From the book <em>The Letters of T. S. Eliot. Vol. I 1898–1922</em>
Creator
An entity primarily responsible for making the resource
Edited by Valerie Eliot
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1988
Identifier
An unambiguous reference to the resource within a given context
Central PS3509 L43 Z5 A4
Title
A name given to the resource
The Letters of T. S. Eliot. Vol. I 1898–1922
Modernism
T. S. Eliot
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
The cover of <em>Blast 2</em> is characteristic of Vorticism’s endeavour to capture the energy and urban, industrialised nature of the modern world.
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Barbara, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1981
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 2 [War Number, July 1915]
Blast
Modernism
Vorticism
Wyndham Lewis
-
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3642
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Edited by Wyndham Lewis, <em>Blast</em> featured work by Vorticist writers and artists. It ‘Blasted’ or ‘Blessed’ various places, people, and things, sometimes blasting and blessing the same thing. The shocking pink cover is split by the title, which is strikingly positioned diagonally from top left to bottom right and appears in large black caps. Pound referred to the ‘new Futurist, Cubist, Imagiste quarterly’ as the ‘great MAGENTA cover’d opusculus [small or minor work].’
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Rosa, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1981
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 1 [June 20th, 1914]
Blast
Modernism
Wyndham Lewis
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em></em>Cover of <em>Blast 3</em>
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Barbara, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1984
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 3
Blast
Modernism
Wyndham Lewis
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Blast</em> is the <em>Review of the Great English Vortex</em>, the journal of the short-lived Vorticist art movement. <em>Blast 1</em> features the movement’s manifesto and work contributed by Ezra Pound, Ford Maddox Hueffer (Ford), sculptor Henri Gaudier-Brzeska, and others, under editor Wyndham Lewis. It employs bold graphic design and inventive typography to arrest the reader’s attention.
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Rosa, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1981
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 1 [June 20th, 1914]
Modernism
Wyndham Lewis
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
While it is written in plain language, Edwin Muir’s poetry is often parabolic. When he moved with his family from Orkney to Glasgow, Muir left behind unspoilt Eden and journeyed into the fallen world and was disturbed by what he found there. In his writing, he creates narratives of journeys and labyrinths, good and evil, alienation and paradox, life and death. In <em>Varieties of Parable</em>, MacNeice comments on the metaphorical nature of Muir’s journeys and places and the ‘dream quality’ of his most successful poems.
Creator
An entity primarily responsible for making the resource
Edwin Muir
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1960
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6025 U6 A17 1960
Title
A name given to the resource
Collected Poems
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
The Fisher King reappears as Jake in Ernest Hemingway’s<em> The Sun Also Rises</em>. In Grail legends, the Fisher King is wounded in his leg or groin, leaving him impotent and his land infertile, and he spends his time near his castle fishing. Yet the King and his kingdom can be healed if a questing knight asks the right question. Hemingway’s Jake was wounded in the groin in WWI, and his post-war life becomes meaningless. He is able to establish order in his life and potentially redeem and heal himself by going fishing.
Creator
An entity primarily responsible for making the resource
Ernest Hemingway
Publisher
An entity responsible for making the resource available
New York: Charles Scribner’s Sons
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Identifier
An unambiguous reference to the resource within a given context
Special Collections PS3515 E37 S9 1927
Title
A name given to the resource
The Sun Also Rises
Ernest Hemingway
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
T. S. Eliot believed that Pound was more responsible than any other individual ‘for the twentieth-century revolution in poetry.’ In <em>Ripostes</em>, Pound drew attention to the Imagist movement, developing that style in his own work and appending several poems by T. E. Hulme as examples of this new poetics. He included his translation of the Old English poem ‘The Seafarer,’ upsetting some readers by writing a poem based on his own personal interpretation of the medieval work rather than a literal translation of it.
Creator
An entity primarily responsible for making the resource
Ezra Pound
Publisher
An entity responsible for making the resource available
London: Elkin Mathews
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
Identifier
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Brasch PS3531 O82 R5
Title
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Ripostes of Ezra Pound: Whereto are Appended the Complete Poetical Works of T. E. Hulme, with Prefatory Note
Ezra Pound
Modernism
-
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Dublin Core
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Title
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Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
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Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
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In this volume, Ezra Pound rediscovers poets and traditions from various cultures and times. Pound is particularly fascinated with the troubadours and poetry written in the Provençal language. He admires the condensed, direct expression of these poets, their values and ideals, seeing a place for these medieval values in the modern world. He includes essays on the troubadours, Arnaut Daniel, Guido Cavalcanti, Elizabethan Classicists, making their poetic traditions new.
Creator
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Ezra Pound
Publisher
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London: Faber and Faber
Date
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September 1934
Identifier
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Special Collections PS3531 082 A16 1934
Title
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Make It New: Essays by Ezra Pound
Ezra Pound
Make It New
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Although he would later refer to this volume of poetry as ‘a collection of stale creampuffs,’ <em>Lume Spento</em> (<em>With Tapers Quenched</em>) is Pound’s first collection of poetry; its dramatic lyrics examples of Pound’s early poetic style. The title is a phrase borrowed from Canto III of Dante’s <em>Purgatorio</em>, and the poems reflect Pound’s fascination with the poetry of the troubadours.
Creator
An entity primarily responsible for making the resource
Ezra Pound
Publisher
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London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1965
Identifier
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Brasch PS3531 O82 A4 1965
Title
A name given to the resource
A Lume Spento and Other Early Poems
Ezra Pound
Modernism
-
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Dublin Core
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Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
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Cover of Ezra Pound's <em>Personæ</em>
Creator
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Ezra Pound
Publisher
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London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1952
Identifier
An unambiguous reference to the resource within a given context
Brasch PS3531 O82 P4
Title
A name given to the resource
Personæ
Ezra Pound
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Because he publicly supported Mussolini’s fascism and broadcast his opinions on Radio Rome, Pound was arrested for treason by American forces after the war. Confined outdoors in a small reinforced wire cage at a military detention centre near Pisa, Pound experienced a dark night of the soul; his desolation is evident in many lines of his <em>Pisan Cantos</em>. Embarking on an intellectual and spiritual journey, the imprisoned Pound retrieves materials from his memory, cultural and linguistic fragments, in a spiritual quest for transcendence and enlightenment.
Creator
An entity primarily responsible for making the resource
Ezra Pound
Publisher
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London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1949
Identifier
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Brasch PS3531 O82 P5
Title
A name given to the resource
The Pisan Cantos
Ezra Pound
Modernism