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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Celebrating Charles Dickens (1812-1870). Online exhibition
Description
An account of the resource
On 7 February 1812, Charles Dickens was born in Portsmouth, England. As a consequence, world-wide celebrations have taken place in 2012, the bicentennial year of his birth. And why not celebrate the birth of the creator of some 989 named characters such as the Artful Dodger, Mr Micawber, Little Nell, Wackford Squeers, Uriah Heep, Peggotty, Fagin, William Dorrit, Scrooge, Pecksniff, Paul Dombey, Sally Brass, and Bucket? These unforgettable characters (and others) appear in classic works such as Sketches by Boz (1836), Pickwick Papers (1836-37), Oliver Twist (1837-39), David Copperfield (1850), Great Expectations (1860-61), Our Mutual Friend (1864-65), and the unfinished The Mystery of Edwin Drood (1870).
Special Collections, University of Otago Library, is fortunate to hold first and second editions of works by Dickens, as well as scarce published parts and periodicals that offer first time appearances. And many of these works contain memorable images executed by artists who collaborated closely with him. They include George Cruikshank, Hablot Knight Browne (‘Phiz’), John Leech, Frank and Marcus Stone, and Luke Fildes. Indeed, who can forget Cruikshank’s depiction of Oliver holding out his cup and asking for more gruel?
Dickens was a man of his times; the Victorian times. With his publishers, he capitalized on technologies and innovative marketing strategies by supplying instalments of his works to a growing reading public. He was inundated with letters from readers, many begging him not to kill off Little Nell in The Old Curiosity Shop. And on the eve of her coronation, Victoria was so taken with Oliver Twist that she recommended it to her minister, Lord Melbourne. In her words, the work was 'excessively interesting'. Dickens also took his works on the road, performing numerous public readings in Britain and overseas.
His writing career spanned 34 years, during which he wrote 15 major novels, his famed Christmas books, travel books, plays, numerous newspaper and periodical contributions, and many miscellaneous pieces. To contextualise his life and works a select number of themes that figure so strongly during the reign of Queen Victoria will be on display. They include the City of London; the poor and dispossessed; Punch; the Great Exhibition; and the Crimean War. Dickens and his enduring legacy will also feature.
21 September - 13 December 2012
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Dickens: A Life
Abstract
A summary of the resource.
<p><em></em>Reproduced from Claire Tomalin’s <em>Charles Dickens: A Life</em>, this map shows various places in Central London associated with Dickens. Note Warren’s Blacking Factory, in the bottom right-hand corner, where Dickens worked as a twelve year old; and Coldbath Field Prison, in the top right-hand corner, where Dickens was a frequent visitor, though obviously not as an inmate.</p>
<p>[<em>Dickens in Central London</em> in Claire Tomalin's <em>Charles Dickens: A Life</em>.]</p>
Creator
An entity primarily responsible for making the resource
Claire Tomalin
Publisher
An entity responsible for making the resource available
New York: Penguin Press
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Identifier
An unambiguous reference to the resource within a given context
Central PR4581 TM71
Dickens
London
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Celebrating Charles Dickens (1812-1870). Online exhibition
Description
An account of the resource
On 7 February 1812, Charles Dickens was born in Portsmouth, England. As a consequence, world-wide celebrations have taken place in 2012, the bicentennial year of his birth. And why not celebrate the birth of the creator of some 989 named characters such as the Artful Dodger, Mr Micawber, Little Nell, Wackford Squeers, Uriah Heep, Peggotty, Fagin, William Dorrit, Scrooge, Pecksniff, Paul Dombey, Sally Brass, and Bucket? These unforgettable characters (and others) appear in classic works such as Sketches by Boz (1836), Pickwick Papers (1836-37), Oliver Twist (1837-39), David Copperfield (1850), Great Expectations (1860-61), Our Mutual Friend (1864-65), and the unfinished The Mystery of Edwin Drood (1870).
Special Collections, University of Otago Library, is fortunate to hold first and second editions of works by Dickens, as well as scarce published parts and periodicals that offer first time appearances. And many of these works contain memorable images executed by artists who collaborated closely with him. They include George Cruikshank, Hablot Knight Browne (‘Phiz’), John Leech, Frank and Marcus Stone, and Luke Fildes. Indeed, who can forget Cruikshank’s depiction of Oliver holding out his cup and asking for more gruel?
Dickens was a man of his times; the Victorian times. With his publishers, he capitalized on technologies and innovative marketing strategies by supplying instalments of his works to a growing reading public. He was inundated with letters from readers, many begging him not to kill off Little Nell in The Old Curiosity Shop. And on the eve of her coronation, Victoria was so taken with Oliver Twist that she recommended it to her minister, Lord Melbourne. In her words, the work was 'excessively interesting'. Dickens also took his works on the road, performing numerous public readings in Britain and overseas.
His writing career spanned 34 years, during which he wrote 15 major novels, his famed Christmas books, travel books, plays, numerous newspaper and periodical contributions, and many miscellaneous pieces. To contextualise his life and works a select number of themes that figure so strongly during the reign of Queen Victoria will be on display. They include the City of London; the poor and dispossessed; Punch; the Great Exhibition; and the Crimean War. Dickens and his enduring legacy will also feature.
21 September - 13 December 2012
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Old London Street Cries and the Cries of To-day
Abstract
A summary of the resource.
<p>In 1812, London’s population was over a million, and by 1880 it had reached 4.5 million. Dickens knew the City well and as he walked it, he observed the sights and sounds and smells of this bustling metropolis: rich and poor, Cockney hawkers and vagabonds, the railway, immigrants (Chinese, Irish, Russians), the over-crowded docks, the fog-bound Thames, sooty, stinking pathways, the new and innovative, and so much more. And importantly, he wrote about it. In truth, ‘London created Dickens, just as Dickens created London’ (Ackroyd). The Fagin-like clothes-seller is from Andrew White Tuer’s <em>Old London Street Cries and the Cries of To-day</em> (1885).</p>
<p>[<em>O' Clo!</em> Illustration from page 61 of Andrew White Tuer's <em>Old London Street Cries and the Cries of To-day</em>.]</p>
Creator
An entity primarily responsible for making the resource
Andrew White Tuer
Publisher
An entity responsible for making the resource available
London: Field and Tuer, The Leadenhall Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1885
Identifier
An unambiguous reference to the resource within a given context
Special Collections DA688 TW64
Dickens
London
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Celebrating Charles Dickens (1812-1870). Online exhibition
Description
An account of the resource
On 7 February 1812, Charles Dickens was born in Portsmouth, England. As a consequence, world-wide celebrations have taken place in 2012, the bicentennial year of his birth. And why not celebrate the birth of the creator of some 989 named characters such as the Artful Dodger, Mr Micawber, Little Nell, Wackford Squeers, Uriah Heep, Peggotty, Fagin, William Dorrit, Scrooge, Pecksniff, Paul Dombey, Sally Brass, and Bucket? These unforgettable characters (and others) appear in classic works such as Sketches by Boz (1836), Pickwick Papers (1836-37), Oliver Twist (1837-39), David Copperfield (1850), Great Expectations (1860-61), Our Mutual Friend (1864-65), and the unfinished The Mystery of Edwin Drood (1870).
Special Collections, University of Otago Library, is fortunate to hold first and second editions of works by Dickens, as well as scarce published parts and periodicals that offer first time appearances. And many of these works contain memorable images executed by artists who collaborated closely with him. They include George Cruikshank, Hablot Knight Browne (‘Phiz’), John Leech, Frank and Marcus Stone, and Luke Fildes. Indeed, who can forget Cruikshank’s depiction of Oliver holding out his cup and asking for more gruel?
Dickens was a man of his times; the Victorian times. With his publishers, he capitalized on technologies and innovative marketing strategies by supplying instalments of his works to a growing reading public. He was inundated with letters from readers, many begging him not to kill off Little Nell in The Old Curiosity Shop. And on the eve of her coronation, Victoria was so taken with Oliver Twist that she recommended it to her minister, Lord Melbourne. In her words, the work was 'excessively interesting'. Dickens also took his works on the road, performing numerous public readings in Britain and overseas.
His writing career spanned 34 years, during which he wrote 15 major novels, his famed Christmas books, travel books, plays, numerous newspaper and periodical contributions, and many miscellaneous pieces. To contextualise his life and works a select number of themes that figure so strongly during the reign of Queen Victoria will be on display. They include the City of London; the poor and dispossessed; Punch; the Great Exhibition; and the Crimean War. Dickens and his enduring legacy will also feature.
21 September - 13 December 2012
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
London and Its Environs: Handbook for Travellers
Abstract
A summary of the resource.
<p>In 1812, London’s population was over a million, and by 1880 it had reached 4.5 million. Dickens knew the City well and as he walked it, he observed the sights and sounds and smells of this bustling metropolis: rich and poor, Cockney hawkers and vagabonds, the railway, immigrants (Chinese, Irish, Russians), the over-crowded docks, the fog-bound Thames, sooty, stinking pathways, the new and innovative, and so much more. And importantly, he wrote about it. In truth, ‘London created Dickens, just as Dickens created London’ (Ackroyd). The Fagin-like clothes-seller is from Andrew White Tuer’s <em>Old London Street Cries and the Cries of To-day</em> (1885).</p>
<p>[<em>II. Holborn, Fleet Street, Strand</em>, fold-out map from Karl Baedeker's <em>London and Its Environs: Handbook for Travellers.</em> 7th rev. edition.]</p>
Creator
An entity primarily responsible for making the resource
Karl Baedeker
Publisher
An entity responsible for making the resource available
[Leipzig]: Karl Baedeker
Date
A point or period of time associated with an event in the lifecycle of the resource
1889
Identifier
An unambiguous reference to the resource within a given context
Special Collections DA679 B351 1889
Dickens
London
-
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Celebrating Charles Dickens (1812-1870). Online exhibition
Description
An account of the resource
On 7 February 1812, Charles Dickens was born in Portsmouth, England. As a consequence, world-wide celebrations have taken place in 2012, the bicentennial year of his birth. And why not celebrate the birth of the creator of some 989 named characters such as the Artful Dodger, Mr Micawber, Little Nell, Wackford Squeers, Uriah Heep, Peggotty, Fagin, William Dorrit, Scrooge, Pecksniff, Paul Dombey, Sally Brass, and Bucket? These unforgettable characters (and others) appear in classic works such as Sketches by Boz (1836), Pickwick Papers (1836-37), Oliver Twist (1837-39), David Copperfield (1850), Great Expectations (1860-61), Our Mutual Friend (1864-65), and the unfinished The Mystery of Edwin Drood (1870).
Special Collections, University of Otago Library, is fortunate to hold first and second editions of works by Dickens, as well as scarce published parts and periodicals that offer first time appearances. And many of these works contain memorable images executed by artists who collaborated closely with him. They include George Cruikshank, Hablot Knight Browne (‘Phiz’), John Leech, Frank and Marcus Stone, and Luke Fildes. Indeed, who can forget Cruikshank’s depiction of Oliver holding out his cup and asking for more gruel?
Dickens was a man of his times; the Victorian times. With his publishers, he capitalized on technologies and innovative marketing strategies by supplying instalments of his works to a growing reading public. He was inundated with letters from readers, many begging him not to kill off Little Nell in The Old Curiosity Shop. And on the eve of her coronation, Victoria was so taken with Oliver Twist that she recommended it to her minister, Lord Melbourne. In her words, the work was 'excessively interesting'. Dickens also took his works on the road, performing numerous public readings in Britain and overseas.
His writing career spanned 34 years, during which he wrote 15 major novels, his famed Christmas books, travel books, plays, numerous newspaper and periodical contributions, and many miscellaneous pieces. To contextualise his life and works a select number of themes that figure so strongly during the reign of Queen Victoria will be on display. They include the City of London; the poor and dispossessed; Punch; the Great Exhibition; and the Crimean War. Dickens and his enduring legacy will also feature.
21 September - 13 December 2012
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Langley and Belch's New Map of London
Abstract
A summary of the resource.
<p><em></em> Langley and Belch published their London map in 1812, the year of Dickens’s birth. The City of London is highlighted in pink, and placed around the outer frame are vignettes that feature well-known London landmarks.</p>
<p>[<em>Langley and Belch’s New Map of London</em> (facsimile).]</p>
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
London: Langley and Belch
Date
A point or period of time associated with an event in the lifecycle of the resource
1812
Identifier
An unambiguous reference to the resource within a given context
Special Collections
Dickens
London
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Celebrating Charles Dickens (1812-1870). Online exhibition
Description
An account of the resource
On 7 February 1812, Charles Dickens was born in Portsmouth, England. As a consequence, world-wide celebrations have taken place in 2012, the bicentennial year of his birth. And why not celebrate the birth of the creator of some 989 named characters such as the Artful Dodger, Mr Micawber, Little Nell, Wackford Squeers, Uriah Heep, Peggotty, Fagin, William Dorrit, Scrooge, Pecksniff, Paul Dombey, Sally Brass, and Bucket? These unforgettable characters (and others) appear in classic works such as Sketches by Boz (1836), Pickwick Papers (1836-37), Oliver Twist (1837-39), David Copperfield (1850), Great Expectations (1860-61), Our Mutual Friend (1864-65), and the unfinished The Mystery of Edwin Drood (1870).
Special Collections, University of Otago Library, is fortunate to hold first and second editions of works by Dickens, as well as scarce published parts and periodicals that offer first time appearances. And many of these works contain memorable images executed by artists who collaborated closely with him. They include George Cruikshank, Hablot Knight Browne (‘Phiz’), John Leech, Frank and Marcus Stone, and Luke Fildes. Indeed, who can forget Cruikshank’s depiction of Oliver holding out his cup and asking for more gruel?
Dickens was a man of his times; the Victorian times. With his publishers, he capitalized on technologies and innovative marketing strategies by supplying instalments of his works to a growing reading public. He was inundated with letters from readers, many begging him not to kill off Little Nell in The Old Curiosity Shop. And on the eve of her coronation, Victoria was so taken with Oliver Twist that she recommended it to her minister, Lord Melbourne. In her words, the work was 'excessively interesting'. Dickens also took his works on the road, performing numerous public readings in Britain and overseas.
His writing career spanned 34 years, during which he wrote 15 major novels, his famed Christmas books, travel books, plays, numerous newspaper and periodical contributions, and many miscellaneous pieces. To contextualise his life and works a select number of themes that figure so strongly during the reign of Queen Victoria will be on display. They include the City of London; the poor and dispossessed; Punch; the Great Exhibition; and the Crimean War. Dickens and his enduring legacy will also feature.
21 September - 13 December 2012
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
London: A Pilgrimage
Abstract
A summary of the resource.
<p>During the Victorian period, the general populace poured in to watch melodramas, burlesques, comedies, and the serious in theatres and music halls up and down the country. Dickens himself loved the theatre. In fact, as a young man he secured an audition at the Covent Garden theatre to become an actor. A bad cold postponed the meeting, and the rest…as they say, is history. He wrote plays, acted in them, stage managed them, and his popular readings were but mesmerizing theatre. Doré’s illustration depicts the bright lights on the boards, but the audience seems somewhat subdued.</p>
<p>[Page 160 and 161 of Gustave Doré and Blanchard Jerrold's <em>London: A Pilgrimage</em>.]</p>
Creator
An entity primarily responsible for making the resource
Gustave Doré and Blanchard Jerrold
Publisher
An entity responsible for making the resource available
London: Grant
Date
A point or period of time associated with an event in the lifecycle of the resource
1872
Identifier
An unambiguous reference to the resource within a given context
Special Collections DA683 JJ7
Dickens
Entertainment
London
-
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Dublin Core
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Title
A name given to the resource
Unpacking Ruins: architecture from antiquity. Online exhibition
Description
An account of the resource
12 September - 28 November 2002 ~ de Beer Gallery
Central Library, University of Otago
Through the last five hundred years, ancient ruins have been uncovered, rediscovered and reinterpreted. They have provoked architectural inspiration. They have been studied to develop and support theories on how to build and how to value building. They have prompted reflection upon the end of Empire and upon the demise of civilization. In turn, they have provoked thoughts of future civilizations rising.
This exhibition of books and prints of the last four centuries traces changes in the way the West has related to the architecture of antiquity. Works displayed are from the collections of the University of Otago Library. Through text and illustrations the exhibition ponders how the material of the past has variously been unpacked and repackaged.
To unpack - to undo or open, to bring something out of storage.
Ruins, the weathered fragments speak of loss. They tell of the buildings that once were, of the people who made them, and of the cultures from which they arose. They tell of destruction, abandonment and decay. When viewing the larger volumes displayed in this exhibition one cannot help but feel a profound sense of absence. One may be filled with a longing for the past, or could be drawn to reflect upon the inevitably of the future. However, absence and loss are not the intended focus of the exhibition. Rather it is to chronicle how people have attempted to make sense of the ruins, how they have represented them, and how they have used them to understand the times in which they lived.
These volumes, selected from the Special Collections at the University of Otago Library reveal how ruins and fragments of antiquity have been variously cited over the last five hundred years. The 16th century edition of Vitruvius is evidence of the Renaissance search for an authentic voice from antiquity. Works from the century following present theoretical arguments and the search for architectural perfection, with surviving buildings, ruins and texts being compared and debated. Similar analysis has continued long after these works appeared. It is also apt to compare them with the text by Le Corbusier who returned to his youthful perceptions in Greece, Turkey and Italy for inspiration, example and origin.
Travel guides reveal how existing remains became part of the visual vocabulary of the 17th and 18th centuries. Authoritative accounts by British architect-travelers of ruins in the Eastern Mediterranean and Middle East were published as large folios between 1750 and 1850. The works of Wood and Dawkins in the Levant, of Stuart and Revett in Athens, of Adam in Dalmatia and of Cameron in Italy, follow the scientific archaeological approach of the Frenchman Desgodets. However these journeys were romantic and at times, fanciful, explorations as well. In the published volumes, travelers presented the surviving fragments and reconstituted them into reinvented larger works. In doing so, they changed the Western understanding of architecture and its day-to-day practice.
In considering the fall of empires in the late 18th century, it was inevitable that the survey of ruins would prompt reflection on the future of the West. In 1774 Horace Walpole wrote to Horace Mann,
"The next Augustan age will dawn on the other side of the Atlantic. There will perhaps be a Thucylides at Boston, a Xenophon at New York, and in time a Virgil at Mexico, and a Newton at Peru. At last some curious traveller from Lima, will visit England, and give a description of the ruins of St Paul's, like editions of Baalbec and Palmyra."
It is not surprising that sixty years later, at a time when the colonisation of New Zealand was actively debated in the Houses of Parliament, Macaulay would speculate upon a future New Zealander surveying the ruins of London. Doré's romantic image of the Mäori, draped in Renaissance gown and sketching, recalls illustrations of Wood and Stuart in the East, and it confirms the city in the line of great imperial centres. However the figure seated on the ruins of London Bridge may have seemed oddly chilling to the Victorian viewers.
The cutaway view of the Bank of England drawn by Joseph Gandy (in the vitrine outside the gallery) may have prompted a similar response. It presents the completed structure opened, clean, and viewed from the eye of God. The sunlit ruin appears timeless.
As well as being an emblem of transience, ruins signal persistence over time. It is this sense of permanence, or at least of a very slow decay, that perhaps provokes a continuing fascination and a pleasure that some recent writers have found in the them.
This exhibition has been curated by Robin Skinner of the School of Architecture, Victoria University Wellington. He was assisted by Elizabeth Tinker, Catherine Robertson and Sarah Jones of the Reference Department of the University of Otago Library.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The New Zealander in London
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
"The New Zealander" in London : a pilgrimage
Description
An account of the resource
In the 1870s the artist Gustave Doré depicted Macaulay's New Zealander visiting future London. In the accompanying text Jerrold wrote, ‘Macaulay's dream of the far future, with the tourist New Zealander ... contemplating "The glory that was Greece - The grandeur that was Rome".' This solitary philosopher-artist appears more akin to romanticised images of young English travelers, discovering and sketching the ruins of Palmyra a century earlier, than to New Zealanders who had recently been at war with Colonial and Imperial troops.
Creator
An entity primarily responsible for making the resource
Doré, Gustave
Publisher
An entity responsible for making the resource available
Grant & Co.: London
Date Created
Date of creation of the resource.
1872
Type
The nature or genre of the resource
Illustrations
Text
Architecture
London
Macaulay