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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fifteen drawings.
Subject
The topic of the resource
Crucifixion
Jesus Christ
Last Supper in art
Resurrection
Description
An account of the resource
A.cover: 15 drawings Colin McCahon December ’51 to May ’52; title page: for Charles Brasch from Colin McCahon 1952; b. The cup; c. This is a cold land; d. Light candles against the oncoming dark; f. The word was made flesh and dwelt amongst us. h. Give us Jesus; k. They crucified him (dividing his clothes amongst them); m. He is dead; p. And is risen again.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date
A point or period of time associated with an event in the lifecycle of the resource
1952
Date Created
Date of creation of the resource.
[between 1951 and 1952]
Rights
Information about rights held in and over the resource
Fifteen drawings by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Format
The file format, physical medium, or dimensions of the resource
Sketchbooks
Extent
The size or duration of the resource.
24 sheets each 260 x 200 mm laced in brown cardboard folder 274 x 211 mm
Medium
The material or physical carrier of the resource.
brush & black ink on brown paper
Language
A language of the resource
eng
Type
The nature or genre of the resource
Image
Still Image
Drawings
Brush works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 73/329 a - p
a7738
Temporal Coverage
Temporal characteristics of the resource.
Nineteen fifties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Charles Brasch Bequest, 1973.
Brush works
Crucifixion
Drawings
Image
Jesus Christ
Last Supper in art
Nineteen fifties
Resurrection
Sketchbooks
Still Image
Works of Art
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Crucifixion.
Subject
The topic of the resource
Art and religion
Crucifixion
Jesus Christ
Description
An account of the resource
Lower right (l.r.) with brush: McCahon … [date illeg]; through image with brush: I.N.R.I.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1949
Rights
Information about rights held in and over the resource
Crucifixion by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Extent
The size or duration of the resource.
504 x 758 mm
Medium
The material or physical carrier of the resource.
oil on board
Type
The nature or genre of the resource
Image
Still Image
Paintings
Oil paintings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 72/23
a5436
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Dr Charles Brasch, Dunedin, 1972.
Art and religion
Crucifixion
Image
Jesus Christ
Nineteen forties
Oil paintings
Paintings
Still Image
Works of Art
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Blessed Virgin compared to a jug of pure water and the infant Jesus to a lamp.
Subject
The topic of the resource
Art and religion
Christian art and symbolism
Jesus Christ
Mary, Blessed Virgin, Saint
Symbolism in art
Words in art
Christian art and symbolism
Crosses in art
Symbolism in art
Art, Abstract
Description
An account of the resource
Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon emphasized that his works had a message.
<p>Purity and the innocence of childhood are memorialised in this momentous post-war work but it also carries art historical and filmic references. <em>The Virgin Compared</em>, McCahon revealed, owes its being both to the grisly sixteenth century painter Grunewald and to that cruel and beautiful film, <em>Open City</em>. Director Rossellini explained his aim in that film as being to show that acts of heroism and human kindness obviously spring from faith, and the brutalities of war from cynicism and absence of moral code.</p>
<p>McCahon's work was difficult to sell and was often ridiculed when it was exhibited. The religious paintings in particular attracted derisory comments from critics such as A.R.D. Fairburn who described them as being like graffiti on the walls of some celestial lavatory.</p>
<p>Formerly in the collection of Charles Brasch, this painting was reproduced in <em>Landfall, </em> the literary magazine he edited and used to help promote artistic reputations. Very few understood the painters need to map the relationship between man and his God as John Caselberg describes it, but without their crucial support McCahon would not have continued painting into the 1950s and beyond.</p>
Lower right (l.r.) with brush: McCahon Nov ’48; through image with brush: the Blessed Virgin Compared to a jug of pure Water and the infant Jesus to a lamp.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1948
Rights
Information about rights held in and over the resource
The Blessed Virgin compared to a jug of pure water and the infant Jesus to a lamp by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Extent
The size or duration of the resource.
1053 x 805 mm
Medium
The material or physical carrier of the resource.
oil on canvas stretched on board
Language
A language of the resource
eng
Type
The nature or genre of the resource
Image
Still Image
Paintings
Oil paintings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 20,924
a5431
Temporal Coverage
Temporal characteristics of the resource.
Twentieth century
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Dr Charles Brasch, Dunedin, 1963.
Zotero
Genre
Portraits
Abstract art
Art and religion
Blessed Virgin
Christian art and symbolism
Crosses in art
Image
Jesus Christ
Mary
Oil paintings
Paintings
Saint
Still Image
Symbolism in art
Twentieth century
Words in art
Works of Art
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
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Height
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Bit Depth
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Ralph Hotere
Description
An account of the resource
A sample of the works by Ralph Hotere held in Hocken Collections.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawing for Stations of the Cross.
Subject
The topic of the resource
Jesus Christ
Stations of the Cross in art
Description
An account of the resource
Lower right (l.r.) in pencil: Working drawing for Stations of the Cross. Hotere; l.c. in ballpoint pen: Jeffrey Harris, 9 Cashmere View Rd, Christchurch; through image: [numerals & colour notes].
Creator
An entity primarily responsible for making the resource
Hotere, Ralph, 1931-
Date Created
Date of creation of the resource.
1969
Rights
Information about rights held in and over the resource
Working drawing for Stations of the Cross by Ralph Hotere.
Reproduction permission courtesy of Ralph Hotere.
Is Part Of
A related resource in which the described resource is physically or logically included.
Stations of the Cross
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
435 x 695 mm
Medium
The material or physical carrier of the resource.
pencil on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - A688 a
a5212
Temporal Coverage
Temporal characteristics of the resource.
Nineteen sixties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Ralph Hotere, Dunedin, at the end of his Frances Hodgkins Fellowship year, 1969.
Drawings
Image
Jesus Christ
Nineteen sixties
Pencil works
Stations of the Cross in art
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ink study for cross (3).
Subject
The topic of the resource
Crucifixion
Jesus Christ
Creator
An entity primarily responsible for making the resource
Smither, Michael, 1939-
Date Created
Date of creation of the resource.
1970
Extent
The size or duration of the resource.
252 x 202 mm
Medium
The material or physical carrier of the resource.
ink on paper
Type
The nature or genre of the resource
Image
Still Image
Ink drawings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 76/119
a11639
Temporal Coverage
Temporal characteristics of the resource.
Nineteen seventies
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given anonymously, 1970.
Crucifixion
Image
Ink drawings
Jesus Christ
Nineteen seventies
Still Image
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ink study for cross (2).
Subject
The topic of the resource
Crucifixion
Jesus Christ
Creator
An entity primarily responsible for making the resource
Smither, Michael, 1939-
Date Created
Date of creation of the resource.
1970
Extent
The size or duration of the resource.
252 x 202 mm
Medium
The material or physical carrier of the resource.
ink on paper
Type
The nature or genre of the resource
Image
Still Image
Ink drawings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 76/118
a11638
Temporal Coverage
Temporal characteristics of the resource.
Nineteen seventies
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given anonymously, 1970.
Crucifixion
Image
Ink drawings
Jesus Christ
Nineteen seventies
Still Image
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ink study for cross (1).
Subject
The topic of the resource
Crucifixion
Jesus Christ
Creator
An entity primarily responsible for making the resource
Smither, Michael, 1939-
Date Created
Date of creation of the resource.
1970
Extent
The size or duration of the resource.
251 x 202 mm
Medium
The material or physical carrier of the resource.
ink on paper
Type
The nature or genre of the resource
Image
Still Image
Ink drawings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 76/117
a11637
Temporal Coverage
Temporal characteristics of the resource.
Nineteen seventies
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given anonymously, 1970.
Crucifixion
Image
Ink drawings
Jesus Christ
Nineteen seventies
Still Image
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Crucifixion.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Crucifixion with lamp.
Subject
The topic of the resource
Art and religion
Crucifixion
Jesus Christ
Description
An account of the resource
Frequently exhibited with variant title, Crucifixion with lamp 1947.
Lower left (l.l.) with brush: McCahon July ’47; verso: [brush drawing of lamp and part of crucifixion].
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1947
Rights
Information about rights held in and over the resource
Crucifixion by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Extent
The size or duration of the resource.
765 x 915 mm
Medium
The material or physical carrier of the resource.
oil on board
Type
The nature or genre of the resource
Image
Still Image
Paintings
Oil paintings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 20,928
a10437
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Artist > Brasch 1949 > Hocken Library.
Given by Dr Charles Brasch, Dunedin, 1963.
Art and religion
Crucifixion
Image
Jesus Christ
Nineteen forties
Oil paintings
Paintings
Still Image
Works of Art