___]]> Poems by Mr Gray, shows Joachim’s trademark tooled cipher with her initials and the date of binding. The copy of The Open Road is an excellent example of Joachim’s beautifully executed decorative style. Fully bound in brown morocco, this volume’s front cover design is made up of at least six separate tools, all worked individually by hand. Joachim worked from paper patterns she drew and overlaid onto the leather cover; her workbook housed in the Hocken Library contains many of her extant patterns.]]> Thomas Gray]]> Poems by Mr Gray, shows Joachim’s trademark tooled cipher with her initials and the date of binding. The copy of The Open Road is an excellent example of Joachim’s beautifully executed decorative style. Fully bound in brown morocco, this volume’s front cover design is made up of at least six separate tools, all worked individually by hand. Joachim worked from paper patterns she drew and overlaid onto the leather cover; her workbook housed in the Hocken Library contains many of her extant patterns.]]> Thomas Gray]]> Poems by Mr Gray, shows Joachim’s trademark tooled cipher with her initials and the date of binding. The copy of The Open Road is an excellent example of Joachim’s beautifully executed decorative style. Fully bound in brown morocco, this volume’s front cover design is made up of at least six separate tools, all worked individually by hand. Joachim worked from paper patterns she drew and overlaid onto the leather cover; her workbook housed in the Hocken Library contains many of her extant patterns.]]> Thomas Gray]]> Rubáiyát, in red morocco, in 1905 and the front cover is intricately tooled with leaves, flowers, dots and curving lines; the six-panelled spine has one title panel and five panels echoing the front cover design; all three text block edges are gilt; a truly wonderful example of her work.]]> ___]]> Poems by Mr Gray, shows Joachim’s trademark tooled cipher with her initials and the date of binding. The copy of The Open Road is an excellent example of Joachim’s beautifully executed decorative style. Fully bound in brown morocco, this volume’s front cover design is made up of at least six separate tools, all worked individually by hand. Joachim worked from paper patterns she drew and overlaid onto the leather cover; her workbook housed in the Hocken Library contains many of her extant patterns.]]> E. V. Lucas]]>