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Working drawings.
Lower left (l.l.) in pencil: Working drawings. Hotere
Working drawings for three paintings of the Otago Peninsula. Untitled.
Through image in pencil: [painting notes inscribed]; above image in pencil: [illeg inscription crossed out]; verso vertically in pencil: [illeg] from Psalms 1 25.
Working drawings for three paintings of the Otago Peninsula. Untitled.
Lower centre (l.c.) in pencil vertically: Jan 1 1946; through image in pencil; [grid lines colour notes] concave; verso: [fragmentary sketch] landscape from Port Chalmers white.
Working drawings for three paintings of the Otago Peninsula. Saddle Hill.
Lower centre (l.c.) in pencil: Saddle Hill. C. McCahon 1939.
Working drawings for three paintings of the Otago Peninsula. Peninsula.
Lower right (l.r.) in ink: Peninsula McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Lower centre (l.c.) in ink: Peninsular landscape; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Lower right (l.r.) in ink: Peninsular landscape, McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with lamp.
Lower centre (l.c.) in ink: Peninsular landscape with lamp. McCahon; verso: indian ink sketch.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with Harbour Cone.
Lower centre (l.c.) in ink: Peninsular landscape with Harbour Cone; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Otago Peninsular landscape.
Lower right (l.r.) in ink: McCahon ’40; verso in pencil: Otago Peninsular landscape, Colin McCahon 1940; paper manufacturer’s printed inscription.
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
l.l. in pencil: Mt Charles; l.r. in pencil: C. McCahon; verso: pen & ink sketch inscribed: Dark light.
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
Lower left (l.l.) in pencil: Mount Charles C. McCahon 1940 [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula. Harbour Cone.
Lower right (l.r.) in ink: Harbour Cone, McCahon.
Working drawings for three paintings of the Otago Peninsula. Harbour Cone, Observatory. Ravensbourne Wharf.
Lower left (l.l.) in pencil: McCahon í40; through in pencil: grid lines; verso in pencil: Harbour Cone, Observatory, Ravensbourne Wharf 45.
Working drawings for three paintings of the Otago Peninsula. From Portobello?
Lower right (l.r.) in pencil: McCahon ’40; margin r. in pencil: from Portobello?; u.r.: [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Below image c. in ink: For R. Kennedy landscape; l.r. in ink: McCahon; through image in pencil: concave.
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Upper right (u.r.) in pencil: for Rodney Kennedy’s landscape; c.r. in pencil: missing drawing from this sheet with R.N. O’Reilly; inscribed through image in blue & black ink: artist’s notes; verso: fragment of painting.
Working drawings for three paintings of the Otago Peninsula. For Hocken - view of Otago Harbour near Observatory. Follows first Peninsula painting.
Shows observatory & Ravensbourne Wharf.
Working drawings for three paintings of the Otago Peninsula. Drawing for the Fleischl picture.
Lower left (l.l.) in pencil: McCahon; c.l. in pencil: Peninsula. Little Harbour Cone & sandspit across Papanui Inlet; l.r. in pencil: drawing for the Fleischl picture.
Working drawings for three paintings of the Otago Peninsula. 4YA. 4ZB. Highcliff.
Lower centre (l.c.) in ink: 4YA. 4ZB Highcliff; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. [from] Mount Charles.
Lower right (l.r.) in pencil: C. McCahon; l.l. in pencil: Mt Charles.
Working drawings for three paintings of the Otago Peninsula.
Shows observatory and Ravensbourne wharf.
Working drawings for Black Paintings. Zero is round, zero is black, zero is zero.
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’65; l.c. in pencil: Drawings for black paintings. Zero is round, zero is black, zero is zero; u.c. in pencil: too small - zero is round; l.l. in pencil: crap; l.l. in…
Working drawings for Black Paintings. All is black and there is no black (Suzuki).
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’69; C. in red fibre tipped pen: delete; l.c. in red fibre tipped pen: All is black and there is no black? (Suzuki).
Working drawing for Stations of the Cross.
Lower right (l.r.) in pencil: Working drawing for Stations of the Cross. Hotere; l.c. in ballpoint pen: Jeffrey Harris, 9 Cashmere View Rd, Christchurch; through image: [numerals & colour notes].