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Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower right (l.r.) in ballpoint pen: Drawing for Malady Hotere '70.
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere '70; l.l. in ballpoint pen: This wont work.
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Working drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower left (l.l.) in ballpoint pen: Working drawing for Malady Hotere ’70
Working drawing for Malady.
Lower left (l.l.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower right (l.r.) in ballpoint pen: Drawing for Malady Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady series Hotere 6-70
Working drawing for Malady.
Lower left (l.l.) in ballpoint pen: Working drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Margin below image lower left (l.l.) in pencil: Wont work; margin below image c. - r. in ballpoint pen: Working drawing for Malady Hotere '70
Drawing for Ian Wedde
Lower centre (l.c.) - lower right (l.r.) in ink: Drawing for Ian Wedde
Map of Auckland Isthmus & Harbour.
Verso in ink: [place names] 47 [title]
Trees, Port Hills.
Lower right (l.r.) in ballpoint pen: D. Lusk 1969
Drawing.
Lower right (l.r.) in chalk: C.M. ’61.
Sketch for Window.
McCahon felt that the design was: 'a bit too easy'. McCahon gave this sketch to Brown when helping him in his Crummer Road studio during 1979.
Abstract: print no. 4.
G.H. Brown writes: McCahon described this work to me as 'a sort of Gate', & laughingly said that the title could be Abstract: Gate, but whether that is accurate enough to use as a generic title for the complete set, to which this work belongs, seems…
Drawing for Landscape Theme and Variation.
Verso in red ballpoint pen: McC 41; verso in black ballpoint: 44b; on accompanying card in blue felt pen (McCahon’s hand): Colin McCahon, oil on paper. Drawing for “Landscape Theme & Variation” 1962-63. (This side to face the auctioneer.) My…
Wild the hedgerows, wild the spring, wild the yellowhammers sing. Wild the roaring of the sea, wilder still the blood in me.
Lower left (l.l.) in pencil: Colin McCahon For my friend Pat France, Feb 1970. Poem by John Caselberg No 1 of six on van Gogh, the other five of which I hope you will love as much. Colin; through image in chalk: Wild the hedgerows, wild the spring,…
Working drawings for three paintings of the Otago Peninsula.
Shows observatory and Ravensbourne wharf.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with lamp.
Lower centre (l.c.) in ink: Peninsular landscape with lamp. McCahon; verso: indian ink sketch.
Working drawings for three paintings of the Otago Peninsula. 4YA. 4ZB. Highcliff.
Lower centre (l.c.) in ink: 4YA. 4ZB Highcliff; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
Lower left (l.l.) in pencil: Mount Charles C. McCahon 1940 [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula. Drawing for the Fleischl picture.
Lower left (l.l.) in pencil: McCahon; c.l. in pencil: Peninsula. Little Harbour Cone & sandspit across Papanui Inlet; l.r. in pencil: drawing for the Fleischl picture.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Lower right (l.r.) in ink: Peninsular landscape, McCahon.