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Drawing for Black Painting.
Lower right (l.r.) in pencil: Drawing for Black Painting. Hotere … [illeg]17-4-64; l.r. vertically in red fibre tipped pen: Too complex.
Working drawings for Black Paintings. Zero is round, zero is black, zero is zero.
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’65; l.c. in pencil: Drawings for black paintings. Zero is round, zero is black, zero is zero; u.c. in pencil: too small - zero is round; l.l. in pencil: crap; l.l. in…
Working drawings for Black Paintings. All is black and there is no black (Suzuki).
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’69; C. in red fibre tipped pen: delete; l.c. in red fibre tipped pen: All is black and there is no black? (Suzuki).
Black painting. Violet/red VII.
Verso: [title] Hotere ’69 Brolite lacquer on board 48” x 24” 5.
Black window. 7/10.
Margin below image l. - r. in pencil: 7/10 Black Window Hotere Elam 84; watermark: Arches France.
Drawing for painted glass.
Margin beside image r. in pencil: Drawing for painted glass R.H. 5-73; on image: Introibo ad altare Dei Dominus vobiscum [colour notes].
Green on black.
Verso in pencil: A14.
Blue on black.
Upper left (u.l.) & l.r. in pencil: 21; verso in pencil: A14.
Red on black.
Lower right (l.r.) in pencil: 7; verso in pencil: A14.
Untitled.
Lower right (l.r.) in pencil: Hotere ’69.
Drawing 2.
Margin below image l.r. in pencil: Hotere ’69.
Drawing 1.
Margin below image right in ballpoint pen: Hotere ’69; verso: [pencil drawing of profile scored out in ballpoint pen and second smaller version alongside]; u.l. in ballpoint pen: With love from Warren & Kere.
Black painting. Blue/indigo no 5.
Verso with brush: top Black painting, blue/indigo (no 5) Hotere ’69 brolite lacqer 4” x 24"; in chalk: 10 of these. 4.
a: Drawing for black painting. b: Pen & ink drawings.
Margin below image l.r. in ballpoint pen: Drawing for Black painting, Hotere; verso: [pen & ink drawings crossed out].
Drawing for Requiem Series.
Lower right (l.r.) in ink: Drawing for Requiem series Hotere Port Chalmers 1974; on original mount: Rodney, from Ralph & Cilla August ’74.
Maroon/olive drawing for Black Paintings.
Lower right (l.r.) in pencil: Maroon/olive drawing for Black Paintings 69 Hotere; verso original mount in pencil: Maroon & olive drawing for Black Painting Hotere; verso in red crayon: 34.
Drawing for Black Paintings [2].
Margin below image r. in ballpoint pen: Drawing for Black Paintings Hotere ’69.
Untitled drawing from Murdering Beach series.
Verso lower centre (l.c.) in pencil: Ralph Hotere Untitled drawing from Murdering Beach series. 1969.
A day at Murdering Beach with Dibble and Maree.
Lower right (l.r.) in ballpoint pen: Hotere 3-69; l.l. in ink: A day at Murdering Beach with Dibble and Maree; verso labelled: Reserved Rodney Kennedy.
Black painting.
Verso in yellow chalk: Hotere ’69 [title].
Drawing for Black Paintings [1].
Margin below image r. in ballpoint pen: Drawing for Black Paintings Hotere’69.
Drawings for Port Chalmers Paintings: no 1.
Lower right (l.r.) in pencil: Drawings for Port Chalmers Paintings Hotere ’72.
Black window, Port Chalmers.
Framed by Roger Hicken
The voyage - second version.
Lower right (l.r.): Hotere Port Chalmers 75-76; through image: [various inscriptions] throughout
Two bathers.
Upper right (u.r.) in black ink: Jeffrey Harris July 1973; verso mount in ballpoint pen: Two bathers Jeffrey Harris Wgtn 1973