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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reaching Out: Celebrating 100 years of Otago Physiotherapy Graduates, 1913-2013. Online exhibition
Description
An account of the resource
The School of Physiotherapy is immensely proud of the contribution its graduates have made to health in the wider community over the 100 years since the School’s inception in 1913. The formal celebrations for the School’s centenary were held in Dunedin in April 2013. Included was the launch of the centennial publication In Our Hands: 100 Years of Physiotherapy at Otago 1913-2013, by historian Louise Shaw. This book details the rich history of physiotherapy education. What the book did not have room to tell were the stories of the many individual graduates from the School who have made significant national and international contributions to the development of physiotherapy and a diverse range of areas in health. Some of these stories are told in this exhibition at the de Beer Gallery in the Special Collections Library.
Apart from receiving their education at the School of Physiotherapy at Otago, the graduates featured in this exhibition are all defined by their passion for physiotherapy in their own unique way. These individuals have pushed ‘physiotherapy’ to new heights and set new standards. They have been uncompromising in their mission, inspiring their colleagues and the wider health community. They have reached out to demonstrate how things could be done differently and above all, sought ways to enable their patients to lead better and more productive lives.
The School of Physiotherapy is honoured to feature these special people in this exhibition in the de Beer Gallery and to tell the stories of the ways these physiotherapists have responded to the needs of their communities by reaching out.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
World War One serviceman receiving treatment
Abstract
A summary of the resource.
This photograph is entitled ‘The treatment of stiff joints by dry radiant heat’ and is one of a series that featured in the <em>Otago Witness</em> after World War One (1914-18). A notable feature in all of the photographs, which were taken at Dunedin Hospital, is the standard practice of the returned servicemen wearing their uniforms while receiving treatment.
Creator
An entity primarily responsible for making the resource
<em>Otago Witness</em>
Publisher
An entity responsible for making the resource available
<em>Otago Witness</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
4 June, 1919
Identifier
An unambiguous reference to the resource within a given context
Image S13-566d Hocken Collections, Uare Taoka o Hākena, University of Otago
Physiotherapy
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
This Book Belongs To..... Bookplates, Book Labels, & Inscriptions
Creator
An entity primarily responsible for making the resource
Curated by Romilly Smith and Donald Kerr, Special Collections, University of Otago
Date
A point or period of time associated with an event in the lifecycle of the resource
December 2019
Abstract
A summary of the resource.
New Zealand’s Trinity of book collectors marked their books in different ways, thereby signifying ownership with the claim ‘This book is mine!’ Sir George Grey had no bookplate, inscribing his books rarely. Alexander Turnbull had ten different bookplates, one being a ‘rebus’ designed by the artist Walter Crane. Dr T.M. Hocken marked each book he owned many times, often using an Ex libris bookplate (which he was not allowed to carry); a ‘Hakena’ label, ink stamps, and his signature.
Marking ownership (provenance) by inserting bookplates, book labels, stamps or inscriptions into a book is part of a long tradition, begun in the period of the first printing presses (1450s), when multiple copies of books were produced. Book collectors started to amass libraries, either as a resource for their own intellectual pursuits, or just for show. It became chic to have a library, a collection of books and manuscripts. In later times, it was doubly chic to have a prominent artist design your bookplate.
Many of the first bookplates were based on coats of arms that many aristocrats and landed gentry had the right to bear. Mottoes dominated. As time progressed, and book collecting increased, an increasing number of owners did not have coats of arms to adorn their books. Consequently, they developed their own pictorial bookplates, often containing symbols or objects that reflected some personal aspect or interest. Traditionally, bookplates were engraved, or were produced through wood or linocuts. As the modern era progressed, the use of photography and colour has increased. Some book collectors are more circumspect. They use small, often unadorned labels, or specially made stamps, to affix in their books. Others just simply inscribed their name in their books.
Special Collections does not own a collection of bookplates like Auckland City Libraries with their Hilda Wiseman Collection, nor the Auckland Museum Library with its Percy Barnett Collection. Nevertheless, Special Collections has numerous bookplates, book labels, and inscriptions evident in the thousands of books held. On display is a small fraction of the total held, a wide variety of armorial, pictorial, and modern designs representing a wide range of book collectors. What is pleasing are the number of bookplates and labels representing female book collectors, who have traditionally not figured greatly in the field of book collecting. In addition, bookplate samples from the collection of Professor David Skegg have been included. They are particular to the South Island as they feature Otago and Southland bookplate owners.
In order to display more bookplates, far more smaller (octavo) format books and much less large format ones have been used. Often found pasted on the front endpaper, these individual design and provenance statements have their own distinct beauty. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works
Creator
An entity primarily responsible for making the resource
Edmund Waller
Date
A point or period of time associated with an event in the lifecycle of the resource
1730
Identifier
An unambiguous reference to the resource within a given context
Shoults Eb 1730 W
Type
The nature or genre of the resource
Inscription
Publisher
An entity responsible for making the resource available
Printed for J. Tonson in the Strand
Abstract
A summary of the resource.
Throughout the book’s long history, owners have used title-pages, margins, and preliminary pages to leave their mark: strange doodles, shopping lists, brief critical notes, and of course names. Inscribing a book is the easiest way to indicate ownership, and it can be accompanied by other evidential material important to the book historian: place of residence, price paid, date acquired. Sometimes there is a warning attached, as in this copy of Edmund Waller’s Works, once owned by Samuel Daniel, 3 March 1828: ‘Steal not this book …’.
bookplate
provenance
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maths, Politics & Concrete: The Legacy of the Classical World. Online exhibition
Description
An account of the resource
The classicist Richard Hingley wrote ‘the Classical past retains a highly significant relationship to the present’. It is true that no cultural tradition develops in a vacuum and we are all influenced by those who have gone before us. The exhibition Maths, Politics and Concrete: The Legacy of the Classical World aims to highlight some of the influences that the ancient Greeks and Romans have had on western civilisation. Mathematics, democracy, medicine, literature, philosophy, law, architecture and engineering are just some of the areas where western cultural heritage owes much to classical Greece and Rome.
With the reintroduction of many ancient texts to Renaissance Europe, Classical Studies enjoyed a resurgence in the 14th century and consequently, in the 18th and 19th centuries it became central to, what was thought to be, a ‘good’ education. The latter part of the 20th century saw a decline in classical studies as part of mainstream education. Now, however, more than ever before, we have more resources and technology available that enable us to study and appreciate the ancient world of the Greeks and Romans and remind ourselves of some of our cultural roots.
From Homer’s Odyssey and the nascent secular intellectualism of the early Greek philosophers, to the recipe for concrete and the perfection of archway construction, the Classical World has left a legacy which we now take for granted. The exhibition features works by, among others, Ovid, Apollonius, Archimedes, Xenophon and Marcus Aurelius – names not necessarily familiar to all but ones which have definitely shaped the past and are still very important today. Please enjoy yourself as you view volumes from Special Collections and take time to discover how the ancient world has impacted on yours.
*Every effort has been made to contact copyright owners of the images displayed in this online exhibition. If any issues arise from their display, please contact Special Collections, University of Otago, special.collections@otago.ac.nz
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
A reproduction of an image of Archimedes from his<em> Works</em>
Creator
An entity primarily responsible for making the resource
Archimedes
Publisher
An entity responsible for making the resource available
[Oxford]: e typographeo Clarendoniano
Date
A point or period of time associated with an event in the lifecycle of the resource
1792
Identifier
An unambiguous reference to the resource within a given context
de Beer Ed 1792 A
Title
A name given to the resource
Works
Archimedes
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Maths, Politics & Concrete: The Legacy of the Classical World. Online exhibition
Description
An account of the resource
The classicist Richard Hingley wrote ‘the Classical past retains a highly significant relationship to the present’. It is true that no cultural tradition develops in a vacuum and we are all influenced by those who have gone before us. The exhibition Maths, Politics and Concrete: The Legacy of the Classical World aims to highlight some of the influences that the ancient Greeks and Romans have had on western civilisation. Mathematics, democracy, medicine, literature, philosophy, law, architecture and engineering are just some of the areas where western cultural heritage owes much to classical Greece and Rome.
With the reintroduction of many ancient texts to Renaissance Europe, Classical Studies enjoyed a resurgence in the 14th century and consequently, in the 18th and 19th centuries it became central to, what was thought to be, a ‘good’ education. The latter part of the 20th century saw a decline in classical studies as part of mainstream education. Now, however, more than ever before, we have more resources and technology available that enable us to study and appreciate the ancient world of the Greeks and Romans and remind ourselves of some of our cultural roots.
From Homer’s Odyssey and the nascent secular intellectualism of the early Greek philosophers, to the recipe for concrete and the perfection of archway construction, the Classical World has left a legacy which we now take for granted. The exhibition features works by, among others, Ovid, Apollonius, Archimedes, Xenophon and Marcus Aurelius – names not necessarily familiar to all but ones which have definitely shaped the past and are still very important today. Please enjoy yourself as you view volumes from Special Collections and take time to discover how the ancient world has impacted on yours.
*Every effort has been made to contact copyright owners of the images displayed in this online exhibition. If any issues arise from their display, please contact Special Collections, University of Otago, special.collections@otago.ac.nz
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<p>Usually remembered as a great statesman and leader of the Roman army, Gaius Julius Caesar (100-44 BC) was also a great historian. His <em>Commentaries</em> on the Gallic Wars (58-51 BC) is one of his two surviving works. Written in the third person, Caesar recorded simple yet highly descriptive accounts of his campaigns. Barnes has called the <em>Commentaries</em> the ‘best historical memoirs of the ancient world’. In one of the last battles for supremacy in Gaul (France), Caesar surrounded the hilltop town of Alexia or Alesia in September 52 BC, with the Gallic chief Vercingetorix (82-46 BC), (yes, the one in the<em> Asterix</em> comics), and an army of united Gallic tribes inside. Caesar built an enormous series of fortifications facing the town and a mirror image set of battlements facing outwards, to ward off attacks from the Gallic chief’s allies. Occupying the space in between, Caesar defended his position from attacks both fore and aft; and starving and defeated, Vercingetorix surrendered to Caesar in October 52 BC.</p>
<p>(Key to engraving of Alexia: A=siege tower; B=parapet; C=battlements; D=palisades; E=wall; F/G=trenches; H=tree trunks with sharpened branches; I=spiked pit; K=stakes with iron hooks; L=trench, 20 foot wide with perpendicular sides; M=the town of Alexia)</p>
Creator
An entity primarily responsible for making the resource
Julius Caesar
Publisher
An entity responsible for making the resource available
[Venice: Aldo Manutius]
Date
A point or period of time associated with an event in the lifecycle of the resource
1575
Identifier
An unambiguous reference to the resource within a given context
de Beer Itb 1575 C
Title
A name given to the resource
Works
Gaul
history
Julius Caesar
Vercingetorix
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Ralph Hotere
Description
An account of the resource
A sample of the works by Ralph Hotere held in Hocken Collections.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Working drawing for Black Painting.
Subject
The topic of the resource
Art, Abstract
Description
An account of the resource
Lower left (l.l.) in pencil: Working drawings. Hotere
Creator
An entity primarily responsible for making the resource
Hotere, Ralph, 1931-
Rights
Information about rights held in and over the resource
Working drawing for Black Painting by Ralph Hotere.
Reproduction permission courtesy of Ralph Hotere.
Is Part Of
A related resource in which the described resource is physically or logically included.
Black Paintings.
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
345 x 435 mm
Medium
The material or physical carrier of the resource.
pencil on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - A688 i
a5221
Temporal Coverage
Temporal characteristics of the resource.
Nineteen sixties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Ralph Hotere, Dunedin, at the end of his Frances Hodgkins Fellowship year, 1969.
Abstract art
Drawings
Image
Nineteen sixties
Pencil works
Still Image
Working drawings
Works of Art
-
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Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Untitled.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Through image in pencil: [painting notes inscribed]; above image in pencil: [illeg inscription crossed out]; verso vertically in pencil: [illeg] from Psalms 1 25.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Untitled by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
208 x 246 mm
Medium
The material or physical carrier of the resource.
pencil on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 s
a7717
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Untitled.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower centre (l.c.) in pencil vertically: Jan 1 1946; through image in pencil; [grid lines colour notes] concave; verso: [fragmentary sketch] landscape from Port Chalmers white.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1946
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Untitled by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
208 x 229 mm
Medium
The material or physical carrier of the resource.
pencil on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 r
a7716
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Dublin Core
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Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Saddle Hill.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower centre (l.c.) in pencil: Saddle Hill. C. McCahon 1939.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1939
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Saddle Hill by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
123 x 206 mm (irreg lower edge)
Medium
The material or physical carrier of the resource.
pencil on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 h
a7706
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower right (l.r.) in ink: Peninsula McCahon.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
202 x 256 mm
Medium
The material or physical carrier of the resource.
pen & blue ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 o
a7713
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower centre (l.c.) in ink: Peninsular landscape; l.r. in ink: McCahon.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
172 x 256; on paper: 202 x 256 mm
Medium
The material or physical carrier of the resource.
pen & blue ink
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 n
a7712
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower right (l.r.) in ink: Peninsular landscape, McCahon.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
203 x 256 mm
Medium
The material or physical carrier of the resource.
pen & ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 f
a7704
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with lamp.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower centre (l.c.) in ink: Peninsular landscape with lamp. McCahon; verso: indian ink sketch.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with lamp by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
209 x 258 mm (upper edge irreg)
Medium
The material or physical carrier of the resource.
pen & ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 b
a7700
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with Harbour Cone.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower centre (l.c.) in ink: Peninsular landscape with Harbour Cone; l.r. in ink: McCahon.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with Harbour Cone by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
202 x 256 mm
Medium
The material or physical carrier of the resource.
pen & blue ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 m
a7711
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Otago Peninsular landscape.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower right (l.r.) in ink: McCahon ’40; verso in pencil: Otago Peninsular landscape, Colin McCahon 1940; paper manufacturer’s printed inscription.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Otago Peninsular landscape by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
192 x 253 mm
Medium
The material or physical carrier of the resource.
pen & ink on buff paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 g
a7705
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
Subject
The topic of the resource
Landscape
Description
An account of the resource
l.l. in pencil: Mt Charles; l.r. in pencil: C. McCahon; verso: pen & ink sketch inscribed: Dark light.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Mount Charles by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
207 x 258 mm (irreg upper edge)
Medium
The material or physical carrier of the resource.
pen & ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 t
a7718
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower left (l.l.) in pencil: Mount Charles C. McCahon 1940 [paper manufacturer’s printed inscription].
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Mount Charles by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
193 x 253 mm
Medium
The material or physical carrier of the resource.
pencil on pink paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 d
a7702
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Harbour Cone.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower right (l.r.) in ink: Harbour Cone, McCahon.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Harbour Cone by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
202 x 256 mm
Medium
The material or physical carrier of the resource.
pen & ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 l
a7710
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
800
Height
521
Bit Depth
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Channels
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Harbour Cone, Observatory. Ravensbourne Wharf.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower left (l.l.) in pencil: McCahon í40; through in pencil: grid lines; verso in pencil: Harbour Cone, Observatory, Ravensbourne Wharf 45.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Harbour Cone, Observatory. Ravensbourne Wharf by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
170 x 260 mm (perf right edge)
Medium
The material or physical carrier of the resource.
pencil on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 k
a7709
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
790
Height
600
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. From Portobello?
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower right (l.r.) in pencil: McCahon ’40; margin r. in pencil: from Portobello?; u.r.: [paper manufacturer’s printed inscription].
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. From Portobello? by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
192 x 210 mm; on buff paper: 192 x 253 mm
Medium
The material or physical carrier of the resource.
pencil
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 i
a7707
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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800
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Bit Depth
8
Channels
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Below image c. in ink: For R. Kennedy landscape; l.r. in ink: McCahon; through image in pencil: concave.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
89 x 195 mm
Medium
The material or physical carrier of the resource.
pen & ink & pencil on tracing paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections
a7714
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
568
Height
600
Bit Depth
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Channels
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Upper right (u.r.) in pencil: for Rodney Kennedy’s landscape; c.r. in pencil: missing drawing from this sheet with R.N. O’Reilly; inscribed through image in blue & black ink: artist’s notes; verso: fragment of painting.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Contributor
An entity responsible for making contributions to the resource
O'Reilly, R. N. (Ronald Norris), 1914-1982 (Photographer)
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
83 x 188 mm (on board: 268 x 255 mm (irreg) to which are attached 3 photographs taken by Ron O
Medium
The material or physical carrier of the resource.
pen & ink & pencil on tissue paper
Language
A language of the resource
eng
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 j
a7708
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
800
Height
592
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. For Hocken - view of Otago Harbour near Observatory. Follows first Peninsula painting.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Shows observatory & Ravensbourne Wharf.
Verso inscription in unknown hand: For Hocken, View of Otago Harbour near observatory. Follows first Peninsula painting, Colin McCahon.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. For Hocken - view of Otago Harbour near Observatory by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
260 x 350 mm
Medium
The material or physical carrier of the resource.
pencil on gesso on cardboard
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 u
a7719
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
708
Height
600
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. Drawing for the Fleischl picture.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower left (l.l.) in pencil: McCahon; c.l. in pencil: Peninsula. Little Harbour Cone & sandspit across Papanui Inlet; l.r. in pencil: drawing for the Fleischl picture.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. Drawing for the Fleischl picture by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
208 x 245 mm
Medium
The material or physical carrier of the resource.
pencil on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pencil works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 e
a7703
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pencil works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
747
Height
600
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. 4YA. 4ZB. Highcliff.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower centre (l.c.) in ink: 4YA. 4ZB Highcliff; l.r. in ink: McCahon.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. 4YA. 4ZB. Highcliff by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
203 x 256 mm (upper edge irreg)
Medium
The material or physical carrier of the resource.
pen & ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 c
a7701
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
745
Height
600
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Working drawings for three paintings of the Otago Peninsula. [from] Mount Charles.
Subject
The topic of the resource
Landscape
Description
An account of the resource
Lower right (l.r.) in pencil: C. McCahon; l.l. in pencil: Mt Charles.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1940
Rights
Information about rights held in and over the resource
Working drawings for three paintings of the Otago Peninsula. [from] Mount Charles by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Is Part Of
A related resource in which the described resource is physically or logically included.
Three paintings of the Otago Peninsula
Format
The file format, physical medium, or dimensions of the resource
Working drawings
Extent
The size or duration of the resource.
205 x 257 mm
Medium
The material or physical carrier of the resource.
pen & ink on paper
Type
The nature or genre of the resource
Image
Still Image
Drawings
Pen works
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 12,754 q
a7715
Spatial Coverage
Spatial characteristics of the resource.
Otago Peninsula (N.Z.)
Temporal Coverage
Temporal characteristics of the resource.
Nineteen forties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1956.
Zotero
Genre
Landscapes & Cityscapes
Drawings
Image
Landscape
Nineteen forties
Otago Peninsula (N.Z.)
Pen works
Still Image
Working drawings
Works of Art