1
25
78
-
https://ourheritage.ac.nz/files/original/0505219ce888fbcdfc132976e0c87256.jpg
7227fe049b5f555ae9826c4359c4bbc1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘Cockney School of Poetry. No. IV’, in Blackwood’s Edinburgh Magazine, Vol. III, no. XVII
Creator
An entity primarily responsible for making the resource
Z. [John Gibson Lockhart]
Date
A point or period of time associated with an event in the lifecycle of the resource
August, 1818
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP4 B53
Type
The nature or genre of the resource
Periodicals
Publisher
An entity responsible for making the resource available
Edinburgh: William Blackwood
Abstract
A summary of the resource.
Today, John Keats is a bright star in the poetic constellation. However, in his lifetime he was considered part of the ‘Cockney School’, a group of writers associated with the weekly paper the<em> Examiner </em>and its editor Leigh Hunt. John Gibson Lockhart produced a series of articles for <em>Blackwood’s Edinburgh Magazine</em> mocking the Cockney School, and his arrogant critique of Keats was particularly vicious. Noting Keats’s previous employment, Lockhart wrote, “It is a better and wiser thing to be a starved apothecary than a starved poet; so back to the shop Mr John’. Another journal, the <em>Quarterly Review</em>, also attacked Keats, leading poet Percy Shelley to claim (falsely) in his 1821 elegy <em>Adonais</em> that harsh reviews had doomed his friend.
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/84255c2d0020893df73927850c6022dc.jpg
70bc9d485511a948740f5c2f5b74e6f7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘From Powder Monkey to Admiral’ in The Boy’s Own Paper, Vol. I, no. 9
Creator
An entity primarily responsible for making the resource
W. H. G. Kingston
Date
A point or period of time associated with an event in the lifecycle of the resource
15 March 1879
Identifier
An unambiguous reference to the resource within a given context
Olga and Marcus Fitchett Collection
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Boy’s Own Office
Abstract
A summary of the resource.
<p class="Normal1">This early issue of the <em>Boy’s Own Paper</em> (1879-1967) offers insights into the range of diverting material that its publisher, the Religious Tract Society, thought suitable for boy readers. In addition to its weekly serial (in this case by the prolific adventure-writer W.H.G. Kingston), the <em>BOP</em> featured puzzles and games, accounts of sporting achievements, and other articles designed to be morally and spiritually improving. The magazine circulated across the British Empire and became known for its patriotic values.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/a07595e4e9daae05322f165daaa7e4a5.jpg
78c577dfae8d6ff4688ef2a5393a640b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thomas Pringle to James Hogg
Creator
An entity primarily responsible for making the resource
Thomas Pringle
Date
A point or period of time associated with an event in the lifecycle of the resource
15 November, 1828
Identifier
An unambiguous reference to the resource within a given context
Hogg Collection, folder 2
Type
The nature or genre of the resource
Manuscripts
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
In the letter shown here, Thomas Pringle sent James Hogg a five-pound bonus for his previous contributions to <em>Friendship’s Offering</em> and a request for further work. Their relationship soured when Pringle deemed one of Hogg’s later contributions to be inappropriate for his mostly middle-class and female readers.
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/d99daa344d4e6bf3ae5bb359b75e073d.jpg
5772191e1ebb3bdfac0c6ecbae182f4b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘Far From the Madding Crowd’ in The Cornhill Magazine
Creator
An entity primarily responsible for making the resource
Thomas Hardy
Date
A point or period of time associated with an event in the lifecycle of the resource
April 1874
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 4 C67 V.29
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Smith, Elder & Co
Abstract
A summary of the resource.
<p class="Normal1">In 1874, when Thomas Hardy’s <em>Far from the Madding Crowd</em> was published in the<em> Cornhill Magazine</em>, readers were shocked at some of the work’s sexually explicit scenes. Although the <em>Cornhill </em>received complaints, Hardy’s work continued to be in demand. The twelve illustrations accompanying the tale were by Helen Paterson Allingham, a watercolourist whose work also appeared in the<em> Graphic</em>. The scene depicted here shows the farmer William Boldwood on the verge of proposing to the novel’s complex heroine, Bathsheba Everdene.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/bddd55272988b3b478dfa8d57dc97f03.jpg
986f6328b874ff404dd5221d27d4e2df
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vanity Fair: A Weekly Show of Political, Social, & Literary Wares, Vol. IX
Creator
An entity primarily responsible for making the resource
Thomas Gibson Bowles, founder
Date
A point or period of time associated with an event in the lifecycle of the resource
1873
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: ‘Vanity Fair’ Office
Abstract
A summary of the resource.
<em>Vanity Fair: A Weekly Show of Political, Social, and Literary Wares</em>(1868-1914) took its name from Thackeray’s novel and Bunyan’s <em>Pilgrim’s Progress</em>. Established by Thomas Gibson Bowles, it was intended to be a ‘society’ magazine. In its early years, Bowles wrote most of the articles himself, hiding behind a range of pseudonyms to make it look as though the magazine boasted more contributors. Adopting a clear satirical mission, <em>Vanity Fair</em>’s first editorial pledged to ‘display the vanities of the week’, which it achieved through its distinctive caricatures of prominent public figures. The publication’s eventual success led to Bowles selling it off in 1889 for £20,000.
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/d81d3d34a2f599b520b5157b1500b3e4.jpg
212cc5fdbdb1584e8658ed08d45d7d8e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘West Coast Expedition’ and ‘The Coming Man’s Arrival’ in Dunedin Punch
Creator
An entity primarily responsible for making the resource
The Punch Office
Date
A point or period of time associated with an event in the lifecycle of the resource
23 September 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: The Punch Office
Abstract
A summary of the resource.
<p class="Normal1">‘The Coming Man’s Arrival’ is one of <em>Dunedin Punch</em>’s better-known images, drawing attention to the arrival of Chinese gold miners in Otago. These miners were invited by the Dunedin Chamber of Commerce in the hope that they would replace those who had been lured by the promise of better and more plentiful gold on the West Coast.<em> Dunedin Punch</em> first appeared on 27 May 1865. On 1 September 1867, it changed its name to the <em>Otago Punch.</em></p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/c93fca5e2bcfd20b47339c84102a47e2.jpg
ced34f07865e04d81ac36f91ace61e54
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘Expedition Sketches – No.1’ in Dunedin Punch
Creator
An entity primarily responsible for making the resource
The Punch Office
Date
A point or period of time associated with an event in the lifecycle of the resource
26 August 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: The Punch Office
Abstract
A summary of the resource.
The great success of <em>Punch, or the London Charivari</em> led to many imitations. The best-known in the Southern hemisphere was the <em>Melbourne Punch</em> (1855-1928), which, like its London counterpart, also circulated in New Zealand. Regional versions appeared in Auckland (1868-1869), New Plymouth (1860), Canterbury (1865-1866), Wellington (1868), and Dunedin (1865-1867). There was also a <em>New Zealand Punch</em> (1898-1900). The magazine covered a mixture of local and national issues, particularly politics. Featured here is a parody of the journalist, politician, and explorer Vincent Pyke’s West Coast Expedition to discover a route from Lake Wanaka to the West Coast. Pyke is pictured astride a moa, since he was known for his theories relating to its extinction (he was to publish a pamphlet on the topic in 1890).
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/ac4c7753b14c89b9f710a3fc9a2ca3cc.jpg
cdbeb289ad14b6f8d6969ea7e13e9971
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Minstrel Boy’ in Friendship’s Offering: A Literary Album, and Christmas and New Year’s Present
Creator
An entity primarily responsible for making the resource
The Ettrick Shepherd [James Hogg]
Date
A point or period of time associated with an event in the lifecycle of the resource
1829
Identifier
An unambiguous reference to the resource within a given context
Special Collections AY13 F75 1829
Type
The nature or genre of the resource
Periodicals
Publisher
An entity responsible for making the resource available
London: Smith, Elder, and Co.
Abstract
A summary of the resource.
<p class="Normal1">Poet Thomas Pringle edited the 1829-1833 issues of the popular annual <em>Friendship’s Offering</em>. Early in his editorship, he contacted many of the most popular writers of the day in search of contributions. William Wordsworth and Joanna Baillie politely declined, but the Scottish poet James Hogg sent him several works, including ‘The Minstrel Boy’, which appeared with a suitably sentimental engraving of a young shepherd.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/eb46a42201944785f9271188f38839ef.jpg
b97662e6412acd7ddd992a7a9040635b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Stuart Mill
Creator
An entity primarily responsible for making the resource
Spy, that is, Sir Leslie Ward
Date
A point or period of time associated with an event in the lifecycle of the resource
1873
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: ‘Vanity Fair’ Office
Abstract
A summary of the resource.
<p class="Normal1">John Stuart Mill (1806-1873) is given the title ‘A Feminine Philosopher’, which reflects both his support of women’s suffrage and his public persona as a sensitive man. The accompanying text describes Mill as ‘a man of vast intellect and tender feelings’.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/852304ebcc0bafda8c074539f728cb9b.jpg
b130d838039646498ca18feae4099fd3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Saturday Magazine
Creator
An entity primarily responsible for making the resource
Society for the Promoting Christian Knowledge
Date
A point or period of time associated with an event in the lifecycle of the resource
4 July 1840
Identifier
An unambiguous reference to the resource within a given context
Private Collection
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Society for the Promoting Christian Knowledge
Abstract
A summary of the resource.
<p class="Normal1">Sponsored by the Society for Promoting Christian Knowledge, the<em> Saturday Magazine</em> (1832-1844) was an Anglican rival to the <em>Penny Magazine</em>. As the issue featured here suggests, it closely modelled its design on the <em>Penny Magazine</em>, but its wood engravings lacked the quality of its competitor.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/872d2a083709589cdcbe478ccba4c44f.jpg
e397f6e0ff84c05d9e3ab73849f48da2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Penny Magazine of the Society for the Diffusion of Useful Knowledge
Creator
An entity primarily responsible for making the resource
Society for the Diffusion of Useful Knowledge
Date
A point or period of time associated with an event in the lifecycle of the resource
1 June 1833
Identifier
An unambiguous reference to the resource within a given context
Shoults Ec 1832 P 1833
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: The Society
Abstract
A summary of the resource.
In the 1830s, a number of inexpensive weekly journals attempted to attract the growing number of Britain’s working-class readers. The<em> Penny Magazine</em> (1832-1845) was a Whig competitor to the more conservative <em>Chambers’s Edinburgh Journal</em>. Sponsored by the Society for the Diffusion of Useful Knowledge,the<em> Penny Magazine</em> was known for the striking wood engravings on its cover pages. Early sales were strong, and the journal achieved a weekly circulation of 200,000 in its first year.
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/98b11afa83ae076cb02b51fe288b06af.jpg
2fd093187a75fa65a2c166bbd7e3815a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Punch, or the London Charivari, Vol. CXIII
Creator
An entity primarily responsible for making the resource
Sir Francis Burnand, editor
Date
A point or period of time associated with an event in the lifecycle of the resource
1897
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 101 P8 1843-45
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Published at the 'Punch' Office
Abstract
A summary of the resource.
John Tenniel's <em>Punch</em> cartoons of the 1857 Sepoy Mutiny led to a surge in the magazine's popularity. This image may also have pushed reader numbers up. It was a staple read for many in British drawing rooms. After closure in 1992, and a strt up in 1996, <em>Punch</em> finally closed in 2002 after 161 years of publication.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/2b1848af8c27e50e91a2388e3888d90b.jpg
8cd7c09c8130e23596ad3d40df48342c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Englishwoman’s Domestic Magazine, Vol. 1
Creator
An entity primarily responsible for making the resource
Samuel Beeton, publisher
Date
A point or period of time associated with an event in the lifecycle of the resource
1860
Identifier
An unambiguous reference to the resource within a given context
Special Collections TT 500 EK56
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Samuel Beeton
Abstract
A summary of the resource.
A fashion image from <em>The Englishwoman’s Domestic Magazine (1860).</em>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/2b1eced81b2eb50ed3c4a61c56bd940e.jpg
530e183688e8510bcaaeeace89cb5ca5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Englishwoman’s Domestic Magazine Vol. 1
Creator
An entity primarily responsible for making the resource
Samuel Beeton
Date
A point or period of time associated with an event in the lifecycle of the resource
1860
Identifier
An unambiguous reference to the resource within a given context
Special Collections TT 500 EK56
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Samuel Beeton
Abstract
A summary of the resource.
<p class="Normal1">The<em> Englishwoman’s Domestic Magazine</em> (1852-1879) was published by Samuel Beeton. Its aim was to become ‘an encouraging friend to those of our country women already initiated in the secret of making ‘‘home happy.”’ Between 1859 and 1861, the journal included regular supplements by Samuel’s wife Isabella, and these became the basis for her 1861 <em>Book of Household Management</em>. A conservative publication, themagazine featured domestic advice and fashion tips for the middle-class woman. The monthly publication also included ‘The Englishwoman’s Conversazione’, an advice section which attracted some notoriety in the 1860s through a series of letters relating to the tight-lacing of corsets and the disciplining of young women.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/5480e24f1dca374c817a23e7d6754367.jpg
26b97fc7801a4dfc866e75b77fd756e7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dunedin Punch
Creator
An entity primarily responsible for making the resource
Robert and Thomas Redmayne, publishers
Date
A point or period of time associated with an event in the lifecycle of the resource
26 August 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: The Punch Office
Abstract
A summary of the resource.
A detail image of Vincent Pyke astride a moa, since he was known for his theories relating to its extinction (he was to publish a pamphlet on the topic in 1890).
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/18214ad9e51565b81664052e75e91afc.jpg
7385a0c213db3bd46129f7db3dcf4fb5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dunedin Punch
Creator
An entity primarily responsible for making the resource
Robert and Thomas Redmayne, publishers
Date
A point or period of time associated with an event in the lifecycle of the resource
9 December 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: The Punch Office
Abstract
A summary of the resource.
An image from <em>Dunedin Punch</em> of weather in Dunedin.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/6c4c8a25ea7e56971a6671a270af0410.jpg
fd2adeed604b96e2aae71bd4efa977f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dunedin Punch
Creator
An entity primarily responsible for making the resource
Robert and Thomas Redmayne, publishers
Date
A point or period of time associated with an event in the lifecycle of the resource
1 April 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: Punch Office
Abstract
A summary of the resource.
<em>Dunedin Punch</em> was published by Robert and Thomas Redmayne in Dunedin. The first issue appeared 27 May 1865; the last 6 January 1866. There were 41 issues in total.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/751b153c0930076dedd9bbd66714df0f.jpg
227459bf463e9eb810ba8dc0db0bbd14
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mary Shelley
Creator
An entity primarily responsible for making the resource
Richard Rothwell
Date
A point or period of time associated with an event in the lifecycle of the resource
c.1840
Identifier
An unambiguous reference to the resource within a given context
Online - Wikipedia
Type
The nature or genre of the resource
Painting (reproduction)
Publisher
An entity responsible for making the resource available
___
Abstract
A summary of the resource.
<p class="Normal1">2018 is the bicentennial of the publication of Mary Shelley’s novel <em>Frankenstein</em>. Though the novel received limited attention when it first appeared, several theatrical adaptations in the 1820s brought it a larger audience. In 1831, it was republished in the Standard Novels series, with a frontispiece that offered an early vision of Victor Frankenstein and his creation. In the following decades, journals like <em>Punch</em> regularly turned to Mary Shelley’s story when commenting on current events. In doing so, they made Frankenstein a familiar representative for figures whose dangerous creations escape their control.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/a7f4f5ff28ee1be70f1cde328bbcaaa4.jpg
0a6bcbbbab1856d04ca89045737ccc3f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Sunday at Home. A Family Magazine for Sabbath Reading
Creator
An entity primarily responsible for making the resource
Religious Tract Society
Date
A point or period of time associated with an event in the lifecycle of the resource
1874
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Religious Tract Society
Abstract
A summary of the resource.
Like its counterpart the <em>Leisure Hour</em>, <em>Sunday at Home</em> was published by the Religious Tract Society. Both publications are notable for their wood engravings, and they were designed for family consumption, with the aim of countering the effects of ‘pernicious’ reading. However, <em>Sunday at Home</em> included serialized novels, signalling a departure from the tract-based education for which the RTS was known. The journal’s featured stories showcase the reward of virtue, and they are characterized by their strong Christian message, rather than their literary qualities. Nevertheless, in its annual report for 1879, looking back on twenty-five years of publication, the RTS claimed that between them <em>Sunday at Home</em> and <em>The Leisure Hour</em> ‘have together addressed not far short of a million readers monthly’.
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/0ef2d0890e1c4d0291aaf944a1f89d37.jpg
d60b6178e6ef1fdee8edfd896f3e5108
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Leisure Hour
Creator
An entity primarily responsible for making the resource
Religious Tract Society
Date
A point or period of time associated with an event in the lifecycle of the resource
1886
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Religious Tract Society
Abstract
A summary of the resource.
The<em> Leisure Hour: A Family Journal of Instruction and Recreation</em> (1852-1905) was a weekly periodical published by the Religious Tract Society. Committed to providing the public with appropriate, moral reading for the Sabbath, the <em>Leisure Hour</em> was usually sold on a Saturday. The contents included religious poetry and stories from the Bible, along with articles detailing the work of missionaries, and fiction that upheld the RTS’s values. The publication was priced at a penny, making it accessible to working-class readers. It occasionally included colour plates, as is exemplified here by the rather startling image of a young man having his head measured by a phrenologist. Contributors included Margaret Oliphant, Frances Browne, and Mary and William Howitt.
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/a552f446cfecdcee2eb40a93c3fa1720.jpg
456b9495a8b25001bc768b53fa93ba1b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Life in London, or, The day and night scenes of Jerry Hawthorn, Esq. and his elegant friend, Corinthian Tom, accompanied by Bob Logic, the Oxonian…
Creator
An entity primarily responsible for making the resource
Pierce Egan
Date
A point or period of time associated with an event in the lifecycle of the resource
1821
Identifier
An unambiguous reference to the resource within a given context
Special Collections DA683 E426 1821
Type
The nature or genre of the resource
Periodicals
Publisher
An entity responsible for making the resource available
London: Printed for Sherwood, Neely, & Jones
Abstract
A summary of the resource.
<p class="Normal1">Pierce Egan’s <em>Life in London</em> began in July 1821 as a monthly publication. It followed the high and low adventures of three young men about town: Tom, Jerry, and Logic. The series was an instant success and inspired a number of theatrical versions (and yes, the animated cat and mouse take their names from Egan’s characters). The dazzling illustrations, by artist brothers Isaac and George Cruikshank, were central to the work’s popularity. George Cruikshank would become one of the century’s most successful commercial artists, illustrating some of Charles Dickens’s early writings, including <em>Oliver Twist.</em></p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/55caa08a2cb435bc87ab9b2c587fc2db.jpg
0cb779df3e02676b17a77d1923825e8d
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hardwicke’s Science-Gossip: An Illustrated Medium of Interchange and Gossip for Students and Lovers of Nature
Creator
An entity primarily responsible for making the resource
Mordecai Cubitt Cooke, editor
Date
A point or period of time associated with an event in the lifecycle of the resource
1865
Identifier
An unambiguous reference to the resource within a given context
Special Collections Q1 H37
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Robert Hardwicke
Abstract
A summary of the resource.
<p class="Normal1"><em>Science-Gossip</em> (1865-1893, 1894-1902) was a popular science magazine, aimed at the educated lay reader. Its first editor was the botanist Mordecai Cubitt Cooke, and the journal purported to be ‘a medium of interchange and gossip’ regarding discoveries, developments, and the scientific world. In 1871, a review of the magazine in the scientific journal <em>Nature</em> noted that <em>Science-Gossip</em> was perceived as a scientific equivalent to <em>Notes and Queries</em>: ‘The two resemble each other, indeed, in many particulars, and in none more than in the very unequal value which attaches to the articles contained in their pages’.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/07b7edd2cd1b9da27c64ca958101bec6.jpg
dc628303716c27f18ab539284cf44a5f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chums
Creator
An entity primarily responsible for making the resource
Max Pemberton, editor
Date
A point or period of time associated with an event in the lifecycle of the resource
1893
Identifier
An unambiguous reference to the resource within a given context
Storage Journals 65 C 1893
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Cassell & Company
Abstract
A summary of the resource.
<p class="Normal1"><em>Chums</em> was a weekly paper for boys that first appeared in 1892. It was best known for publishing pirate stories, including an 1894 re-publication in serial form of Robert Louis Stevenson’s <em>Treasure Island</em> (1883). Its weekly papers were gathered into annual editions, which featured decorative crimson covers.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/dfc6dca388ad607f061b734c6114fb16.jpg
bb1d4f68b1f040f6d798c7a0b9af097f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Frankenstein, or the Modern Prometheus
Creator
An entity primarily responsible for making the resource
Mary Shelley
Date
A point or period of time associated with an event in the lifecycle of the resource
1818
Identifier
An unambiguous reference to the resource within a given context
Wikipedia - Online
Type
The nature or genre of the resource
Book
Abstract
A summary of the resource.
A facsimile of the title page of the first edition
Publisher
An entity responsible for making the resource available
London: Lackington, Hughes, Harding, Mavor and Jones
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/7066ab96be7e88bec6482619bdd6dba1.jpg
06d8cb0c176e8d9f05e101d46c9f16d1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Frankenstein, Illustrated
Creator
An entity primarily responsible for making the resource
Mary Shelley
Date
A point or period of time associated with an event in the lifecycle of the resource
1831
Identifier
An unambiguous reference to the resource within a given context
Wikipedia - Online
Type
The nature or genre of the resource
Book
Publisher
An entity responsible for making the resource available
London: Colburn and Bentley
Abstract
A summary of the resource.
A facsimile of the title page with illustration of the first illustrated edition
Victorian Periodical