Browse Items (5221 total)
Sort by:
A polite traveller and British navigator
This 12° book, containing two volumes of an eight-volume collection, highlights the strong interest in circumnavigations among readers of every rank. The frontispiece captures the compelling sense of danger, while the title-page enumerates the…
A compendium of authentic and entertaining voyages (2)
Smollett is best known as a novelist and historian, but his collection of voyages was popular during the second half of the eighteenth century. In his own travels, Smollett was a very grumpy character, but he clearly possessed a good idea of what his…
A compendium of authentic and entertaining voyages (1)
Smollett is best known as a novelist and historian, but his collection of voyages was popular during the second half of the eighteenth century. In his own travels, Smollett was a very grumpy character, but he clearly possessed a good idea of what his…
Sotheby's musings
Sotheby's youthful poems eagerly evoke the picturesque, and the engravings added to this second edition only heighten that sensibility. An evocation such as 'Hail, solemn wreck!' (10) does not connote praise, and the beauty of the moonlit ruin proves…
Spiritual guides
Typical of a whole class of spiritual guides to Rome, this little volume lists the holy sights and quantifies the redemptive value of visiting each in terms of indulgences and remission of sins. If one had only a limited time to spend in Rome, such a…
Sydney Opera House
Famous buildings and plazas appear throughout this exhibit, but they usually became tourist attractions only upon completion. This 1965 pamphlet celebrated what the Sydney Opera House hoped to become. Would any reader be interested today if the…
Thicknesse's account
Another popular account, Thicknesse proceeds more regularly than Pratt or Sterne, but their influence and elements of the picturesque are evident in the looming hills and the pious or pitiable pilgrims in the foreground. This account exemplifies the…
A book for the tourist
This curious book proved very popular in its day, perhaps because a traveller following its prescriptions could be sure of returning with much new knowledge and a broader understanding of the world. That is, if he survived the cool reactions of the…
A voyage of discovery (1)
These two illustrations provide a concise summation of European associations with North and South America and of the range of Vancouver's explorations along the eastern shores of the Pacific. To the north is the vast unpeopled landscape of the…
Venice
Published in Paris, in French, Silvestre's book is the only guidebook in the case clearly intended for a foreign audience. Drawing upon knowledge gained from several trips to Italy, he published engravings of the highlights and thus embarked on a…
Wanderings in South America
This book first appeared in 1825, though this edition, with its handsome binding, was printed much later, probably in 1894. Although Waterton's style is clearly dated and, to our ears, rather pompous, his work has been often reprinted even in the…
Maps of the poles
These two maps show how little was known about Antarctica as late as 1825. Weddell managed to sail just over 200 miles farther south than Cook before fleeing the impending winter, and his record was not bettered until 1911. His book was revised and…
An early coffee table book
This early version of the coffee-table book provides interesting insights into assumptions about Italian life, with its lively images of landmarks, religious processions, and peasant life. Given the French title and lack of publishing information, it…
The Wake for Thor, Great Dane. John Caselberg.
1. Title; 1785 x 1265 mm; Inscribed: John Caselberg. The Wake for Thor, Great Dane; l.r.: McCahon ’58; centre right edge: Titirangi, 1957; verso: rejected version
The Wake for Thor : Panel 2
2: no text - landscape. Lower left: McCahon ’58
The Wake I
3. I: Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” I; verso: rejected version
The Wake for Thor : Panel 4
4. no text - kauri. Lower left: McCahon ’58
The Wake II
5. II; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” II
The Wake III
6. III; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” III; verso: rejected version
The Wake IV
7. IV; Lower right: McCahon ’58; margin below: John Caselberg, “The Wake” IV
The Wake V
8. V; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” V
The Wake VI
9. VI; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VI
The Wake for Thor : Panel 10
10. no text - kauri; Lower left: McCahon ’58