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A day at Murdering Beach with Dibble and Maree.
Lower right (l.r.) in ballpoint pen: Hotere 3-69; l.l. in ink: A day at Murdering Beach with Dibble and Maree; verso labelled: Reserved Rodney Kennedy.
Untitled drawing from Murdering Beach series.
Verso lower centre (l.c.) in pencil: Ralph Hotere Untitled drawing from Murdering Beach series. 1969.
Drawing for Black Paintings [2].
Margin below image r. in ballpoint pen: Drawing for Black Paintings Hotere ’69.
Maroon/olive drawing for Black Paintings.
Lower right (l.r.) in pencil: Maroon/olive drawing for Black Paintings 69 Hotere; verso original mount in pencil: Maroon & olive drawing for Black Painting Hotere; verso in red crayon: 34.
[Charles Brasch Exhibition poster].
Inscribed: Hocken Library, Charles Brasch Bequest.
Anatomy of a dance. Song cycle, sound, movement, theatre. Design for programme & poster.
Lower left (l.l.) in ink: Poetry Bill Manhire Design Ralph Hotere; u.l. in ink: Music Jack Body Barry Morgan; vertically l: Dance John Casserley Chas Hummel Knut Sulnadji; verso: [reproduction of Ian Wedde’s Pathway to the Sea by RH; verso in ink:…
Anatomy of a dance. Song cycle, sound, movement, theatre. Design for programme & poster.
Label centre in felt tipped pen: Allen Hall Sept 8th 9th 10th; in ballpoint pen: 1975.
Anatomy of a dance. Song cycle, sound, movement, theatre. Design for programme & poster.
Verso: [programme]
Vence, Alpes Maratine, France.
Upper left (u.l.) in pencil: Hotere, Vence, Alpes Maratine, France. ’62; verso original mount: Rodney, happy birthday, Ralph & Maree VIII ’71.
Drawing for Requiem Series.
Lower right (l.r.) in ink: Drawing for Requiem series Hotere Port Chalmers 1974; on original mount: Rodney, from Ralph & Cilla August ’74.
a: Drawing for black painting. b: Pen & ink drawings.
Margin below image l.r. in ballpoint pen: Drawing for Black painting, Hotere; verso: [pen & ink drawings crossed out].
Black painting. Blue/indigo no 5.
Verso with brush: top Black painting, blue/indigo (no 5) Hotere ’69 brolite lacqer 4” x 24"; in chalk: 10 of these. 4.
Drawing 1.
Margin below image right in ballpoint pen: Hotere ’69; verso: [pencil drawing of profile scored out in ballpoint pen and second smaller version alongside]; u.l. in ballpoint pen: With love from Warren & Kere.
Drawing 2.
Margin below image l.r. in pencil: Hotere ’69.
Untitled.
Lower right (l.r.) in pencil: Hotere ’69.
Red on black.
Lower right (l.r.) in pencil: 7; verso in pencil: A14.
Blue on black.
Upper left (u.l.) & l.r. in pencil: 21; verso in pencil: A14.
Green on black.
Verso in pencil: A14.
A drawing of Te Whiti as a young man for James Mack.
Lower right (l.r.) in ink: A drawing of Te Whiti as a young man for James Mack.
Ruia Ruia Opea Opea Tahia Tahia.
Lower right (l.r.): Hotere ’70; u.l. - u.r.: [title].
Sangro, a landscape.
Lower right (l.r.): Hotere Avignon ’78; on image: [Maori inscriptions].
This is a black Union Jack.
Through image with brush: This is a black Union Jack. NZ NZ NZ NZ Banner designed to decorate the H.Q. of the N.Z.R.F.U.
Te Whiti falling off a horse.
Lower left (l.l.) in ink: Te Whiti falling off a horse; l.r. in fibre tipped pen: For Maureen RH 72.
Drawing for painted glass.
Margin beside image r. in pencil: Drawing for painted glass R.H. 5-73; on image: Introibo ad altare Dei Dominus vobiscum [colour notes].
Oputai. 25/27.
Made in protest against roading designation on Observation Point, Port Chalmers District Scheme Review, 1989-90.