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Manukau 3.
Lower left (l.l.): [title] McCahon Jan ’54
Titirangi, Winter.
Lower left (l.l.): McCahon May ’ 57, Aug Sept 1, Titirangi; l.r. Winter.
Wild the hedgerows, wild the spring, wild the yellowhammers sing. Wild the roaring of the sea, wilder still the blood in me.
Lower left (l.l.) in pencil: Colin McCahon For my friend Pat France, Feb 1970. Poem by John Caselberg No 1 of six on van Gogh, the other five of which I hope you will love as much. Colin; through image in chalk: Wild the hedgerows, wild the spring,…
John in Canterbury.
Lower centre (l.c.) with brush: McCahon August ’59; u.l. - c.r. with brush: God, it is all dark. The heart beat but there is no answering hark of a hearer and no-one to speak; l.r. with brush: John in Canterbury; verso: Colin McCahon No 36 August…
Greetings to Mondrian's Chrysanthemum of 1908. Kaipara Flat.
Lower left (l.l.) in pencil: Greetings to Mondrian’s Chrysanthemum of 1908; l.r. in pencil: Colin McCahon August 1971 Kaipara Flat; papermakers chop: Steinbach Malmedy; label: Mollers Gallery.
Working drawings for three paintings of the Otago Peninsula.
Shows observatory and Ravensbourne wharf.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with lamp.
Lower centre (l.c.) in ink: Peninsular landscape with lamp. McCahon; verso: indian ink sketch.
Working drawings for three paintings of the Otago Peninsula. 4YA. 4ZB. Highcliff.
Lower centre (l.c.) in ink: 4YA. 4ZB Highcliff; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
Lower left (l.l.) in pencil: Mount Charles C. McCahon 1940 [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula. Drawing for the Fleischl picture.
Lower left (l.l.) in pencil: McCahon; c.l. in pencil: Peninsula. Little Harbour Cone & sandspit across Papanui Inlet; l.r. in pencil: drawing for the Fleischl picture.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Lower right (l.r.) in ink: Peninsular landscape, McCahon.
Working drawings for three paintings of the Otago Peninsula. Otago Peninsular landscape.
Lower right (l.r.) in ink: McCahon ’40; verso in pencil: Otago Peninsular landscape, Colin McCahon 1940; paper manufacturer’s printed inscription.
Working drawings for three paintings of the Otago Peninsula. Saddle Hill.
Lower centre (l.c.) in pencil: Saddle Hill. C. McCahon 1939.
Working drawings for three paintings of the Otago Peninsula. From Portobello?
Lower right (l.r.) in pencil: McCahon ’40; margin r. in pencil: from Portobello?; u.r.: [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Upper right (u.r.) in pencil: for Rodney Kennedy’s landscape; c.r. in pencil: missing drawing from this sheet with R.N. O’Reilly; inscribed through image in blue & black ink: artist’s notes; verso: fragment of painting.
Working drawings for three paintings of the Otago Peninsula. Harbour Cone, Observatory. Ravensbourne Wharf.
Lower left (l.l.) in pencil: McCahon í40; through in pencil: grid lines; verso in pencil: Harbour Cone, Observatory, Ravensbourne Wharf 45.
Working drawings for three paintings of the Otago Peninsula. Harbour Cone.
Lower right (l.r.) in ink: Harbour Cone, McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with Harbour Cone.
Lower centre (l.c.) in ink: Peninsular landscape with Harbour Cone; l.r. in ink: McCahon.