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a5431.jpg
Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon…

a7735.jpg
Lower right (l.r.) in ink: McCahon ’47; l.r. on card: N.F.S.
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