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25
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https://ourheritage.ac.nz/files/original/2584a7cec1fe8c6febe7785d51b720d8.jpg
3c4b34a98b9448f66d3b8c8328d1bfdf
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
596
Height
600
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lantern Slides
Description
An account of the resource
A collection of lantern slides used for cinema advertising.
Lantern slides are hand-drawn, painted, or photographic images on glass, intended for viewing by projection; often made in sets. Photographic lantern slides were introduced in the United States by 1850 and popular through World War 1; commonly 3.25 x 4 in. (9 x 10 cm.) with a black paper mask, a cover glass, and taped edges.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cesarine self colours.
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Colours gay for a summer's day .
Subject
The topic of the resource
Advertising
Colorfastness (Textiles)
Colorfastness (Textiles)
Commercial art
Textile fabrics
Description
An account of the resource
Lantern slide used for cinema advertising.
Creator
An entity primarily responsible for making the resource
Auckland Slide Company
Date
A point or period of time associated with an event in the lifecycle of the resource
1930
Date Created
Date of creation of the resource.
[193-?]
Format
The file format, physical medium, or dimensions of the resource
Lantern slides
Type
The nature or genre of the resource
Image
Still Image
Transparencies
Graphic design drawings
Art
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections
d378
Spatial Coverage
Spatial characteristics of the resource.
New Zealand
Temporal Coverage
Temporal characteristics of the resource.
Twentieth century
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Donated by E. Mitchell.
Originally belonged to Mr E. George South.
Advertising
Colorfastness (Textiles)
Commercial art
Graphic design drawings
Image
Lantern slides
New Zealand
Still Image
Textile fabrics
timeline
Transparencies
Twentieth century
-
https://ourheritage.ac.nz/files/original/59c5e0dda646f25a34dcc0b4ea9ce195.jpg
517c29565b245ce3376f48422f9d92af
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
442
Height
600
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Works by Colin McCahon
Description
An account of the resource
Colin McCahon is recognized as one of New Zealand’s foremost painters for his inventive and visionary contribution to art. He lived from 1919 to 1987, his career spanning four decades of the Twentieth Century. His landscapes reflect his environmental concerns, but also a recognition of the raw essence of a young country, and an ability to portray New Zealand in a unique and iconic way. Religious and moral issues are explored throughout McCahon’s work, as evidenced by his use of Christian imagery. Another of McCahon's interests was poetry, and he became the first New Zealand artist to incorporate words and numbers in his work.
Contributor
An entity responsible for making contributions to the resource
Colin McCahon Research and Publication Trust.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gay Nineties Soirée. Dunedin Left Book Club, Saturday Nov. 18. 1938.
Subject
The topic of the resource
Advertising
Design
Posters
Description
An account of the resource
Through image with brush: Gay Nineties Soirée. Dunedin Left Book Club, Saturday Nov. 18.
Creator
An entity primarily responsible for making the resource
McCahon, Colin
Date Created
Date of creation of the resource.
1938
Contributor
An entity responsible for making contributions to the resource
Gay Nineties Soir
Rights
Information about rights held in and over the resource
Gay Nineties Soirée. Dunedin Left Book Club, Saturday Nov. 18. 1938 by Colin McCahon.
Reproduction permission courtesy of the Colin McCahon Research and Publication Trust.
Format
The file format, physical medium, or dimensions of the resource
Posters
Extent
The size or duration of the resource.
761 x 558 mm
Medium
The material or physical carrier of the resource.
gouache & silver enamel on paper
Language
A language of the resource
eng
Type
The nature or genre of the resource
Image
Still Image
Gouaches
Identifier
An unambiguous reference to the resource within a given context
Hocken Pictorial Collections - 72/152
a7731
Temporal Coverage
Temporal characteristics of the resource.
Nineteen thirties
Provenance
A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.
Given by Mr R.E. Kennedy, Dunedin, 1972.
Advertising
Design
Gouaches
Image
Nineteen thirties
posters
Still Image
Works of Art