Browse Items (92 total)
- Temporal Coverage is exactly "Nineteen sixties"
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Black painting. Blue/indigo no 5.
Verso with brush: top Black painting, blue/indigo (no 5) Hotere ’69 brolite lacqer 4” x 24"; in chalk: 10 of these. 4.
Drawing 1.
Margin below image right in ballpoint pen: Hotere ’69; verso: [pencil drawing of profile scored out in ballpoint pen and second smaller version alongside]; u.l. in ballpoint pen: With love from Warren & Kere.
Drawing 2.
Margin below image l.r. in pencil: Hotere ’69.
Untitled.
Lower right (l.r.) in pencil: Hotere ’69.
[Woman.]
Lower left (l.l.) in ink: Hotere 69; verso mount in ballpoint pen: The Garden Party. P. France 1976; verso mount in fibre tipped pen: Hocken Library.
Black painting. Violet/red VII.
Verso: [title] Hotere ’69 Brolite lacquer on board 48” x 24” 5.
Working drawing for Stations of the Cross.
Lower right (l.r.) in pencil: Working drawing for Stations of the Cross. Hotere; l.c. in ballpoint pen: Jeffrey Harris, 9 Cashmere View Rd, Christchurch; through image: [numerals & colour notes].
Working drawings for Black Paintings. All is black and there is no black (Suzuki).
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’69; C. in red fibre tipped pen: delete; l.c. in red fibre tipped pen: All is black and there is no black? (Suzuki).
Working drawings for Black Paintings. Zero is round, zero is black, zero is zero.
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’65; l.c. in pencil: Drawings for black paintings. Zero is round, zero is black, zero is zero; u.c. in pencil: too small - zero is round; l.l. in pencil: crap; l.l. in…
Drawing for Black Painting.
Lower right (l.r.) in pencil: Drawing for Black Painting. Hotere … [illeg]17-4-64; l.r. vertically in red fibre tipped pen: Too complex.
[Working drawing for Black Painting].
Upper left (u.l.) in ballpoint pen, crossed out in red fibre tipped pen: Vin dolorossa XIV; through image in pencil: [colour notes].
Drawing for Black Painting. R O Y G B I V.
Lower right (l.r.) in pencil: Drawing for Black Painting Hotere 68; u.r. in ballpoint pen: R O Y G B I V [repeated].
Preliminary drawings for Black Paintings.
Lower centre (l.c.) in pencil: Preliminary drawings for Black Paintings. Hotere; through image in pencil: [numerals]; verso in ink: [unfinished sketch].
[Working drawings for Black Paintings. Colour chart].
Lower right (l.r.) in pencil: Hotere: u.l.-l.r. in pencil: green purple blue red orangy yellow red yellow orange green blue violet purple too cramped [numerals].
Working drawings.
Lower left (l.l.) in pencil: Working drawings. Hotere
Sun - love poem 1.
Lower left (l.l.) in pencil: Drawing for a love poem by Warren Dibble Hotere ’65; through image in pencil: Let me live on your wrist. Hood me with a habit spun of your love and I shall fly, no hawk but an Icarus, to the darkness inside your sun.
Sun - love poem 2.
Lower right (l.r.) in pencil: Drawing for a love poem by Warren Dibble Hotere ’65; through image in pencil: Let me live on your wrist. Hood me with a habit spun of your love and I shall fly, no hawk but an Icarus, to the darkness inside your sun.
Lyttelton Harbour.
Lower right (l.r.) in ink: D. Lusk 1961; in red ballpoint pen: A
Onekaka Estuary.
Lower right (l.r.) with brush: D. Lusk 1966; verso frame: Oil sketch Onekaka Estuary Doris Lusk Jan. 1966; verso in another hand: Hocken Library; stamp: A.S. Hall
Otago Peninsula.
Lower right (l.r.) in pencil: D Lusk '62 Otago Peninsula; label verso mount: John Leech Gallery. Ref. JL 1225. Artist: Doris Lusk. Title: Otago Peninsula. Medium: watercolour. size: 304 x 509. Date: 1962. Price. 360 Remuera Road, Remuera, Auckland,…
Abstract: print no. 4.
G.H. Brown writes: McCahon described this work to me as 'a sort of Gate', & laughingly said that the title could be Abstract: Gate, but whether that is accurate enough to use as a generic title for the complete set, to which this work belongs, seems…
Waterfall.
Lower right (l.r.) in ballpoint pen: McCahon Dec 64.
Drawing for Landscape Theme and Variation.
Verso in red ballpoint pen: McC 41; verso in black ballpoint: 44b; on accompanying card in blue felt pen (McCahon’s hand): Colin McCahon, oil on paper. Drawing for “Landscape Theme & Variation” 1962-63. (This side to face the auctioneer.) My…
