Browse Items (197 total)
- Collection: Works by Colin McCahon
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Untitled.
Margin below image r. in pencil: Colin McCahon 73; through image in red chalk: Me [arrow]
Untitled.
Verso in pencil: This way up. Colin McCahon; verso in pencil in different hand: Art School period.
Unfinished study of male nude.
Centre (c.) in ink: oil, Maitai Valley landscape. Not for sale. C. McCahon; u.l. in pencil: 2… BW dk cream close up no glass, Mr Brasch, 11a Smith St; verso original card: [oil painting Maitai Valley landscape, acc. 20,922 also titled Nelson Hills…
Truth from the King Country, Load bearing structures. Series 3/4.
Verso with brush: Truth from the King Country. Load bearing structures. 4 3rd Series. Colin McC ’78 Acrylic.
Triangles.
Upper right (u.r.) in capitals: McCahon Jan ’65.
Towards Auckland 6.
Lower left (l.l.): [title]; l.r.: McCahon Jan 54
Titirangi, Winter.
Lower left (l.l.): McCahon May ’ 57, Aug Sept 1, Titirangi; l.r. Winter.
Timaru landscape.
10 in The Jack & Ethel McCahon gift to the Hocken Library. McCahon writes: "Untitled but North Otago. gouache 20 x 28 Signed etc McCahon 51 lower left. There are a number of these. The best (an oil) owned by Miss Jean Horsley, now in England. The…
The three Maries at the tomb.
Lower right (l.r.) in ink: McCahon ’47; l.r. on card: N.F.S.
The Holy Life and Death of Concrete Grady by James K. Baxter. n.d. Book cover design no 2. n.d.
Margin below image c. in ballpoint pen: C.McC.; in carbon on image: James K. Baxter, The Holy Life and Death of Concrete Grady; in margin above image in ballpoint pen: no 2 [and printing instructions including note that artist wants art work returned…
The Holy Life and Death of Concrete Grady by James K. Baxter. n.d. Book cover design no 1. n.d.
Margin u.l. in ballpoint pen: This drawing is the property of Colin McCahon. Please return; in carbon on image: James K. Baxter, The Holy Life and Death of Concrete Grady; in margin in ballpoint pen: no 1; margin around image: [instructions to…
The curtain of Solomon.
Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.
The curtain of Solomon.
Originally three panels, the centre one apparently destroyed by the artist after CSA exhibition.
The Blessed Virgin compared to a jug of pure water and the infant Jesus to a lamp.
Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon…
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; u.c. in pencil: As I pass the border, how can I forbear from turning back my head, Hsu Lan [jottings throughout].
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; l.c. in pencil: To be hung like this.
Te Whiti.
Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; inscribed throughout.
Te tangi o te pipiwhararua. (The song of the shining cuckoo) from a poem by Tangirau Hotere.
This is one of McCahon's major works of the mid-1970s, along with the Urewera Mural, the Blind series, and the Parihaka Triptych. It has several motivations and triggers. The primary one is the shining cuckoo's song, spoken of in a Maori poem passed…
Taieri Mouth.
Lower right (l.r.) in pencil: Colin McCahon; verso: Taieri Mouth.
Swan Lake, stage design 2.
Verso each pair in pencil: A B C D [respectively].
Swan Lake stage design 1.
Upper left (u.l.) with brush: [title]; u.r. with brush: McCahon; l.c. in ballpoint pen: lighting instructions; l.r. in pencil: Colin McCahon, March ’54; verso: preliminary sketch in gouache
Still life for the play Professor Mamlock.
13 in The Jack & Ethel McCahon gift to the Hocken Library. McCahon writes: "Still life. oil Sgd & dated Colin McCahon 1940 [sic] in mount 28 x 30 1/2. Note by R.N. O’Reilly on back of photograph. 'Professor Mamlock however was performed about…
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C. McCahon; l.c. in ballpoint pen: The Glass Menageries 1956; verso: [unfinished sketch]