Browse Items (18 total)

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16. no text - kauri; Lower left.: McCahon ’58.

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14. IX; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” IX; verso: rejected version

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13. VIII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VIII; verso: rejected version

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12. no text - kauri; Lower left: McCahon ’58

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11. VII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VII

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10. no text - kauri; Lower left: McCahon ’58

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9. VI; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VI

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8. V; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” V

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7. IV; Lower right: McCahon ’58; margin below: John Caselberg, “The Wake” IV

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6. III; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” III; verso: rejected version

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5. II; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” II

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4. no text - kauri. Lower left: McCahon ’58

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3. I: Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” I; verso: rejected version

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2: no text - landscape. Lower left: McCahon ’58

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1. Title; 1785 x 1265 mm; Inscribed: John Caselberg. The Wake for Thor, Great Dane; l.r.: McCahon ’58; centre right edge: Titirangi, 1957; verso: rejected version

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A.cover: 15 drawings Colin McCahon December ’51 to May ’52; title page: for Charles Brasch from Colin McCahon 1952; b. The cup; c. This is a cold land; d. Light candles against the oncoming dark; f. The word was made flesh and dwelt amongst us.…

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Verso in red ballpoint pen: McC 41; verso in black ballpoint: 44b; on accompanying card in blue felt pen (McCahon’s hand): Colin McCahon, oil on paper. Drawing for “Landscape Theme & Variation” 1962-63. (This side to face the auctioneer.) My…
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